Weiss DS1 Mk3

Weiss DS1 Mk3 Digital De-Esser Compressor Limiter

For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.

Weiss DS1 Mk3 Digital De-Esser Compressor Limiter Details

The Weiss DS1 Mk3 is a full-band compressor, limiter, and de-esser with M/S mode and parallel compression facilities.

Basic EQ1 Functions
The basic features of the Weiss DS1 Mk3 are common to all four models, namely the seven identical parametric bands, i.e. all seven bands cover the entire audio frequency range. Each band has Boost/Cut, Frequency and Q/Slope knobs and operates in any of the following modes: High shelving, low shelving, peaking, high cut, low cut, bypass.

Snapshots, MIDI, Metering
Other basic features of the Weiss DS1 Mk3 are an A/B compare memory, a 128-position snapshot bank with two additional banks for back-up (can also be dumped/recovered via MIDI), a peak meter with over indicators, MIDI control for each parameter, an overall bypass switch, and an overall gain control, a channel ganging switch.

M/S Mode
The EQ1 can be switched to M/S mode which is especially useful for the dynamic model of the EQ1. Other specialties are variable slope shelving filters and very high-Q (up to 650) peaking filters for notching out offending frequencies.

Controls, Display
There are seven times three knobs in order to have “one knob per parameter” operation. The knobs are touch sensitive to switch the LCD to display the parameters of the touched band. The LCD shows the overall frequency response, the detailed parameter values and various status information.

Signal processing, connectivity
The internal processing of the Weiss DS1 Mk3 is done at 88.2 or 96 kHz in a 40 Bit floating-point format. A very low noise filter architecture optimised for audio is used. The digital input/output are in AES/EBU format on XLR connectors. The AES/EBU output can be POW-R dithered to 16, 20 or 24 Bits.

Specifications

AES/EBU Output

  • Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz.
  • Maximum input word-length: 24 Bits.
  • Channel Status Data: Input accepts professional or consumer format.
  • Channel Status Data Bits forwarded to AES/EBU output: see table below.
  • Connector: XLR female.

 

AES/EBU Output

  • Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz (always the same as the input).
  • Output word-length: 24 Bits.
  • Connector: XLR male.

Dimensions

  • Depth: 30 cm / 11.8 inches
  • Width: 43.3 cm / 17 inches (19 inches with rack ears)
  • Height: 8.8 cm / 3.5 inches (2 RU)

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

There are no samples available at the moment. If you can help, please contact us.

Currently no information available...
The absence of information doesn't necessarily mean it hasn’t been used on classic tracks or albums; it just means we don't have the details.

No results found.

No results found.

There are currently no reviews, why not be the first?

Used it? Leave your rating and review.

Leave a Reply

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!