The Tascam 32 was introduced in 1979 as part of Tascam’s professional line of mastering tape recorders. A ¼-inch, two-track reel-to-reel recorder, the Tascam 32 quickly became a staple in small commercial studios, educational institutions, and broadcast facilities due to its robust build quality, ease of maintenance, and professional-grade performance at an accessible price point. Designed for stereo mixdown and mastering applications, it offered a reliable alternative to larger, more expensive recorders while still delivering high-fidelity analogue sound.
The Tascam 32 featured a 3-head design, separate erase, record, and playback heads, enabling off-tape monitoring and precise calibration. It supported two tape speeds, 15 ips and 7½ ips, allowing for flexibility between high-fidelity mastering and extended playback time. The unit used NAB equalisation and employed a direct-drive capstan motor for accurate speed stability, reducing wow and flutter. Balanced XLR and unbalanced RCA connections made integration into a variety of studio setups simple, while front-panel bias and EQ controls allowed for tape optimisation.
Its durable transport mechanism was known for smooth tape handling and long-term reliability. Though compact in form factor, the Tascam 32 carried the sonic capabilities of much larger machines. In the decades following its release, it gained a strong reputation for its sonic warmth and punch, making it a favourite among engineers working in rock, jazz, and radio production.
Today, the Tascam 32 is regarded as a classic example of late-1970s Japanese engineering, combining affordability with professional performance. It remains sought after by collectors and analogue enthusiasts seeking the distinctive character that only high-quality tape machines can deliver.
Features
- Professional half-track format for stereo mastering and broadcast use
- 3-head design (erase, record, playback) allows off-tape monitoring
- Direct-drive capstan motor for precise speed stability and low maintenance
- Dual tape speeds of 15 ips and 7½ ips for flexibility between fidelity and tape economy
- Balanced XLR and unbalanced RCA I/O for studio integration
- Front-panel bias and EQ adjustment for tape optimisation
- Supports reels up to 10.5 inches for extended recording time
- Sturdy transport mechanism ensures smooth tape handling and durability
- Illuminated VU meters for accurate level monitoring
- NAB equalisation standard for compatibility with professional systems
- Rugged, reliable build typical of late 1970s Tascam engineering
