Sony DPS-V55

Sony DPS-V55 Multi Effects Processor

Sony made a killer effects processor with the DPS-V77, so next step was to capitalise on that with a four-channel version, right? But something went wrong...On paper at least, the Sony DPS-V55 should be a killer effects processor, but by all accounts, it does not succeed. Just as Roland did with their SRV-3030, the sound quality leaves a lot to be desired.

Sony DPS-V55 Multi Effects Processor Details

The Sony DPS-V55 is a four channel multi-effect processor with 20-bit quantisation and 48kHz sample rate to yield outstanding audio quality. It should have yielded better results than it does, but the effects sound uninspiring and cold by comparison to all that came before it.

Four channel construction – The Sony DPS-V55 is outfitted with four inputs (and outputs) and can route the input signals in a variety of different ways depending on the chosen effect algorithms and program structures.

Flexible effect algorithms and program structures – The Sony DPS-V55 incorporates a total of 45 different effect algorithms divided into three different types: 4ch, 2ch (stereo), and Mono-Pair. Each effect contains several adjustable parameters and can be easily modified. In addition, 2ch and/or Mono-Pair effects can be used in combination within a program, and the program structure can be switched between serial and parallel, allowing you to take full advantage of the four-channel construction.

User-friendly operating environment – A primary concern when creating the Sony DPS-V55, was to provide an intuitive operating system for creative sound control. All effect parameters can be accessed directly using the EDIT PARAMETER buttons.

Large memory banks – In addition to the 200 different preset programs (numbers 001~200) created by musicians and engineers from around the world (preset memory), there is also room for you to store up to 200 of your own original programs in the user memory (numbers 201~400). We’ve also included a search function so you can recall the programs you need without having to remember their program numbers.

Search function – The search function lets you locate programs you want by specifying the type of effects they contain.

TAP function – The TAP function lets you adjust certain parameters simply by tapping on the ENTER (TAP) button.

MIDI compatibility – The MIDI interface lets you conduct program change and data save operations.

Features

  • Great Sound Quality – The DPS-V55 incorporates the same type of 52-bit processing engine as the DPS-V77 offering incredibly full sounding reverbs and choruses and pitch shifting that stays on track
  • Flexible Four Channel Processing – Four inputs and four outputs offer incredible flexible operating modes including: 2 input 4 output surround sound processing, 2 independent “true stereo” processors (parallel or series), or 4 independent mono input 4 mono out or dual stereo output processing. That’s 4 processors in one box!
  • Full Multi-effects Processor – The DPS-V55 offers a vast array of effects including plate and hall reverbs, up to 10 voice chorusing, delays, pitch shift and harmonization, EQs, limiters and compressors, doppler effects, and more…
  • Great Sounding Factory Presets – Many of the factory presets were designed by top producer/engineers from the music recording, television, and film industry such as: Roger Nichols, Tom Jung, Snuffy Walden, Joe Chiccarelli, Michael Bernard
  • Incredibly Easy to Use – The DPS-V55 is fast and easy to navigate with the large velocity sensitive data entry wheel, front panel algorithm chart, effect search, and tap tempo function.

Specifications

  • A/D Converter: 20-bit resolution
  • D/A Converter: 20-bit resolution
  • Sampling Frequency: 48kHz
  • Inputs:
    • Unbalanced switchable +4/-10 phone jack (X4)
    • Max input level: +20dBu
  • Outputs:
    • Unbalanced switchable +4/-10 phone jack (X4)
    • Max output level: +10 dBu (for -10 dBu reference output level) and +20 dBu (for +4 dBu reference output level)
  • MIDI Input/Output: 5-pin DIN (IN X 1, OUT/THRU X 1)
  • Frequency Response: 20~22kHz (+0, -1 dB)
  • Signal-to-noise Ratio: Greater than 93 dB
  • Distortion: Less than 0.005% (1kHz)
  • Effect Algorithms: 45 (9-4 channel; 27-2 channel; 9-mono pair)
  • Memory:
    • 200 factory presets (001~200)
    • 200 storable presets (201~400)
  • Power Source: AC 120 V, 60 Hz
  • Power Consumption: 11 W (120V)
  • Dimensions: 483mm x 89mm x 289 mm
  • Weight: Approx. 4.4 kg

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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BREAD AND BUTTER UNIT

By Rene Kirchner

Sound Quality 80%
Build Quality 80%
Usefullness 80%
Mojo/Funk 80%
Reliability 80%

I have had it in the rack, along to a Sony R7. It´s not that detailed, but it´s easy to use.

MATCH IT WITH THE CORRECT PRE AMP TO HIT THE SPOT

By James Blackwell

Sound Quality 70%
Build Quality 70%
Usefullness 70%
Mojo/Funk 95%
Reliability 50%

This unit has a very low output and therefore in normal circumstances you’ll need to pump up the line gain in your pre, not a problem. However, marry this up with the correct mic pre and something very special happens with the colour. Its one of those units you send a full bus signal through and mix it 50/50 for example, just to get the colour, space and height. I love it for dry hip hop and uncluttered recordings makes things sound contemporary retro.

HIDDEN TREASURE

By Mike

Sound Quality 80%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 85%

I see people on various forums say this box isn’t so hot and best avoided. I say fine, more for me then. I’ve had mine since 2006 and have found it to be one of the most useful and flexible effects units in my arsenal. It sounds very nice using it’s standalone effects. With the multi-effects it can be a little noisier. Some of the presets are fantastic and most are fantastically weird. I really love the pitch delays, distortion and reverbs. The chorus is outstanding. the vocoder is pretty lame. Compression is workable but difficult without gain reduction metering. Recently my rotary encoder went. But this unit is worth the trouble to repair. Overall this machine provides a ton of unique effects and plenty of unusual colors.

Used it? Leave your rating and review.

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