Peter Gabriel’s album So is considered a classic of the 1980s, and one of the reasons for its success is the unique combination of innovative recording techniques and high-quality equipment used during its production.
Recorded in a barn on Gabriel’s property in Somerset, the album took almost a year to complete, and was the result of meticulous attention to detail and a collaborative effort involving a host of talented musicians and producers.
One of the standout tracks on the album is undoubtedly Sledgehammer, which features a driving beat, catchy horn section, and Gabriel’s distinctive vocals. The track was recorded using some of the best equipment available at the time, including a 56-input SSL 4000 E Series console and a Studer A80 24-track machine.
In addition to the console and tape machine, the recording setup also included a variety of outboard gear to shape and enhance the sound. The EMT 140 plate reverb, AMS 1580 digital delay, and AMS RMX 16 reverb were all used to add depth and space to the recording. The Delta Labs DL2 and Lexicon 224 reverb were also used to add texture and color to the sound, while the Quantec Room Simulator helped to create a sense of ambience and natural reverb.
The album featured a wide range of guest musicians, including Kate Bush, Stewart Copeland, and Nile Rodgers, each of whom contributed to the unique sound of the album. The resulting recording was a commercial success and has since become a classic of the era, thanks in no small part to the groundbreaking recording techniques and high-quality equipment used during its production.
