The RSP Technologies Saturator was designed to add tube warmth and compression to digital recordings. The RSP Technologies Saturator has 2 12AX7 tubes in its circuitry, mounted in a 2RU case. It has both XLR and line inputs/outputs. A great vintage device for adding warmth and smoothness to a digital recording.
The RSP Technologies Saturator is a dual channel, two rack space unit finished in anodised blue. The tubes and their associated circuitry are the focus of a minimal signal path constructed of premium quality components, resulting in pure tube richness without excess noise or unwanted coloration.
Large, precision analogue VU meters are switchable between saturation and output. Ins and outs are via either XLR or TRS jacks. You can also watch the tubes “do their thing” through front panel cooling ports.
“The RSP Technologies Saturator definitely scores top marks for having the Coolest Product Name ever. It’s not just its name that’s cool; the 2U rackmount gadget rocks a sleek metallic blue finish and some seriously retro knobs and meters. The Saturator is in a league of its own as a “saturator,” carving out its niche in the market. This tube processor works its magic on audio signals, giving them that analogue tape warmth through its 12AX7 tubes.
Designed for both warming up stereo mixes and processing individual tracks, this 2-channel wonder connects smoothly between a recording console’s stereo bus and a DAT machine. With balanced mono XLR inputs/outputs and 1/4-inch inputs/outputs, it’s versatile whether you go balanced or unbalanced—all neatly packed on the rear panel.
The front panel keeps it simple with just two controls for each channel: Drive and Output. Throw in two oversized VU meters (one for each channel), switchable to monitor output level or saturation amount, and you’ve got a visual treat. Admittedly, the VU meters might not be your go-to for critical signal monitoring, but they sure look good. Don’t forget the power button and a nifty bypass switch to round off the controls.
When using the Saturator to add some warmth to digital tracks, the Drive control can be your best friend or a mischievous demon. Optimise gain staging for the input signal, and you’re golden. But be cautious—low input levels may introduce hiss, and cranking up the Drive might turn your signals into charcoal dust. The owner’s manual provides guidance, but the Saturator can be touchy, so handle with care.
Sonically, this machine is a dream, according to Buddy Saleman, the head engineer at a recording studio. Used extensively for preproduction demos with the House Jacks, an a cappella act, the Saturator became an integral part of the sessions. Its audio quality remained pristine, adding warmth and sensuality to vocals recorded through an AKG C414. The Saturator’s versatility also allowed for everything from a warm glow to renegade distortion.
At $699, the Saturator is not just a steal; it’s practically contributing to global warming with its hotness. While that might be bad news for the environment, it’s fantastic for your digital sessions. With the Saturator in your rack, no one will ever complain about your productions sounding cold and sterile. It’s a blast!”
