Latest User Reviews

So every one loves the Yamaha SPX90, but almost nobody talks about the SPX90 II, the forgotten effects box. It is essentially the exact same box as the SPX90 but with more memory, what’s not to like? But that is OK, it simply means I can buy an SPX90 II for less money that the SPX 90, ha!

The 1176 compressor is an iconic piece of studio equipment that has stood the test of time. From the moment I introduced it into my setup, it became an irreplaceable asset. The 1176’s lightning-fast response and legendary FET-based design are the stuff of dreams. It’s like having a magic wand for dynamic control. If you’re seeking that signature punch and warmth, look no further. It’s not just a piece of equipment; it’s a legend in the world of audio processing.

The DBX 160 VU Compressor/Limiter is a classic for a reason. It’s been a stalwart in my studio for decades. The compression and limiting it offers is excellent. This workhorse can handle anything you throw at it, from drums to vocals, with finesse. If you’re after a reliable and timeless piece of gear, this is it. A true legend in the world of audio processing.

I still remember the day I got my Sony DTC-1000ES, it was a complete game changer for me. I honestly thought this would be as good as it gets, and for a while it was I suppose. I mixed down so many songs to this machine back in the day, and I still have those tapes, but sadly not this machine. I sold it to buy the newer machines that Sony seemed to release with great frequency, but to be honest none of the machines I bought after this one, were made as well as this one. Sure they sounded better, but the build quality was not as good, and as such they did not last long, but then again most DAT recorders screwed up at some point.

The Roland SDD-320 Dimension D Chorus is pure magic in a box. It’s one of those pieces of gear that never goes out of style. The lush, spatial sound it adds is simply brilliant. Whether you’re enhancing synths, guitars, or vocals, the Roland SDD-320 brings a new dimension to your sound.

The Urei 1178 compressor is an absolute beast! It’s been a trusty companion in my studio for years. The transparency and control it offers are second to none. This thing just oozes classic vintage vibe, and it’s a secret weapon for achieving that pro sound. If you’re serious about audio, you need this in your setup. An absolute gem!

Looking back, the 360 Systems Model 2800 Programmable Equalizer proved to be a real game-changer. Its array of programmable features allowed for precise audio frequency control. This versatile tool, regardless of whether you were a seasoned pro or an up-and-coming sound engineer, delivered exceptional performance that truly elevated audio quality. In retrospect, it was an invaluable addition to any setup.

The APHEX 320D Compellor is an absolute game-changer. It’s pure magic! Whether you’re a pro or just getting started, this little beauty will make your audio sound top-notch. It’s a real must-have for any studio setup. Cheers!

Some Killer presets and as the main effects unit for my old studio was used constantly for both processing and also as a main Verb delay etc. Just wished it had had SPDIF I/O.

Nice effects ever most in bands

I wish they still made this converter, as I stupidly sold mine years ago. It is far from being the last word in accuracy, but if you want a converter that sounds warm and lush, even ‘analog’, then this is the ticket. Beautiful sound, well made and simple to use. Highly recommended if you can find one.

The TL Audio Original Classic Series C-1 is a super cool dual channel preamp and compressor. It’s got tubes in it that make it sound awesome and warm. You can plug in your guitar or microphone directly into the front panel, and there’s even XLR inputs and outputs in the back. It’s all analog too, which is pretty sweet, and it’ll take up two spaces in your rack. Best part is, each channel has a bunch of options for you to mess around with, like choosing between mic/line/aux inputs and messing with your line input gain. Overall, it’s a rad piece of equipment that’ll definitely make your audio sound sick.