Latest User Reviews

They don’t make them like this anymore!

By Grant W

Sound Quality 80%
Build Quality 100%
Usefullness 90%
Mojo/Funk 50%
Reliability 70%

I still remember the day I got my Sony DTC-1000ES, it was a complete game changer for me. I honestly thought this would be as good as it gets, and for a while it was I suppose. I mixed down so many songs to this machine back in the day, and I still have those tapes, but sadly not this machine. I sold it to buy the newer machines that Sony seemed to release with great frequency, but to be honest none of the machines I bought after this one, were made as well as this one. Sure they sounded better, but the build quality was not as good, and as such they did not last long, but then again most DAT recorders screwed up at some point.

Roland SDD-320 Dimension D Chorus Delivers

By Peter B

Sound Quality 100%
Build Quality 90%
Usefullness 100%
Mojo/Funk 90%
Reliability 80%

The Roland SDD-320 Dimension D Chorus is pure magic in a box. It’s one of those pieces of gear that never goes out of style. The lush, spatial sound it adds is simply brilliant. Whether you’re enhancing synths, guitars, or vocals, the Roland SDD-320 brings a new dimension to your sound.

Timeless Studio Powerhouse

By Peter Oldman

Sound Quality 95%
Build Quality 80%
Usefullness 100%
Mojo/Funk 90%
Reliability 90%

The Urei 1178 compressor is an absolute beast! It’s been a trusty companion in my studio for years. The transparency and control it offers are second to none. This thing just oozes classic vintage vibe, and it’s a secret weapon for achieving that pro sound. If you’re serious about audio, you need this in your setup. An absolute gem!

Timeless Excellence

By Anthony W

Sound Quality 90%
Build Quality 90%
Usefullness 80%
Mojo/Funk 80%
Reliability 80%

Looking back, the 360 Systems Model 2800 Programmable Equalizer proved to be a real game-changer. Its array of programmable features allowed for precise audio frequency control. This versatile tool, regardless of whether you were a seasoned pro or an up-and-coming sound engineer, delivered exceptional performance that truly elevated audio quality. In retrospect, it was an invaluable addition to any setup.

Audio Wizardry in a Box, the APHEX 320D Compellor Delivers!

By Greg Page

Sound Quality 90%
Build Quality 80%
Usefullness 100%
Mojo/Funk 80%
Reliability 80%

The APHEX 320D Compellor is an absolute game-changer. It’s pure magic! Whether you’re a pro or just getting started, this little beauty will make your audio sound top-notch. It’s a real must-have for any studio setup. Cheers!

Brilliant FX hub for my old Studio

By Kirke

Sound Quality 90%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

Some Killer presets and as the main effects unit for my old studio was used constantly for both processing and also as a main Verb delay etc. Just wished it had had SPDIF I/O.

Aphex Model 250 Aural Exciter Type III

By Jamie Apresto Jr

Sound Quality 90%
Build Quality 85%
Usefullness 95%
Mojo/Funk 85%
Reliability 90%

Nice effects ever most in bands

A superbly analog converter

By Phillip Jammison

Sound Quality 100%
Build Quality 95%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

I wish they still made this converter, as I stupidly sold mine years ago. It is far from being the last word in accuracy, but if you want a converter that sounds warm and lush, even ‘analog’, then this is the ticket. Beautiful sound, well made and simple to use. Highly recommended if you can find one.

Pretty damm cool

By Cooldude23

Sound Quality 90%
Build Quality 90%
Usefullness 95%
Mojo/Funk 85%
Reliability 90%

The TL Audio Original Classic Series C-1 is a super cool dual channel preamp and compressor. It’s got tubes in it that make it sound awesome and warm. You can plug in your guitar or microphone directly into the front panel, and there’s even XLR inputs and outputs in the back. It’s all analog too, which is pretty sweet, and it’ll take up two spaces in your rack. Best part is, each channel has a bunch of options for you to mess around with, like choosing between mic/line/aux inputs and messing with your line input gain. Overall, it’s a rad piece of equipment that’ll definitely make your audio sound sick.

Excellent CD Burner

By Eric McCusker

Sound Quality 100%
Build Quality 90%
Usefullness 100%
Mojo/Funk 50%
Reliability 90%

Back in the day, the YAMAHA CDR1000 served as an excellent choice for burning professional-grade CD masters. With the inclusion of the Apogee UV22 Super CD encoding, these masters sounded their absolute best. Even today, the CDR1000 remains a worthwhile purchase, not only for its ability to create high-quality CD masters but also for its superb CD playback system.

Better than ADAT

By John Ferlon

Sound Quality 90%
Build Quality 95%
Usefullness 90%
Mojo/Funk 25%
Reliability 85%

During the time when these machines and ADATs were the norm for budget recorders, I frequently suggested the Tascam DA-88 machines as a better alternative to the ADATs. Regrettably, ADATs were more prevalent and to ensure compatibility between studios, I often had to work with them. In my experience, I found that Tascam machines not only sounded superior but also functioned more reliably than ADATs. They synchronized at a faster rate and remained synchronized better once set up.

The best buy among DBX units

By Jacko

Sound Quality 90%
Build Quality 85%
Usefullness 95%
Mojo/Funk 75%
Reliability 75%

The DBX 165 compressor is a versatile and reliable tool for anyone looking to achieve the distinctive DBX VCA compression sound. Its slightly cleaner and less aggressive sound may make it a better choice for some users, while its affordability compared to the 160VU makes it an appealing option for those on a budget.