Latest User Reviews

Looking back, the 360 Systems Model 2800 Programmable Equalizer proved to be a real game-changer. Its array of programmable features allowed for precise audio frequency control. This versatile tool, regardless of whether you were a seasoned pro or an up-and-coming sound engineer, delivered exceptional performance that truly elevated audio quality. In retrospect, it was an invaluable addition to any setup.

The APHEX 320D Compellor is an absolute game-changer. It’s pure magic! Whether you’re a pro or just getting started, this little beauty will make your audio sound top-notch. It’s a real must-have for any studio setup. Cheers!

Some Killer presets and as the main effects unit for my old studio was used constantly for both processing and also as a main Verb delay etc. Just wished it had had SPDIF I/O.

Nice effects ever most in bands

I wish they still made this converter, as I stupidly sold mine years ago. It is far from being the last word in accuracy, but if you want a converter that sounds warm and lush, even ‘analog’, then this is the ticket. Beautiful sound, well made and simple to use. Highly recommended if you can find one.

The TL Audio Original Classic Series C-1 is a super cool dual channel preamp and compressor. It’s got tubes in it that make it sound awesome and warm. You can plug in your guitar or microphone directly into the front panel, and there’s even XLR inputs and outputs in the back. It’s all analog too, which is pretty sweet, and it’ll take up two spaces in your rack. Best part is, each channel has a bunch of options for you to mess around with, like choosing between mic/line/aux inputs and messing with your line input gain. Overall, it’s a rad piece of equipment that’ll definitely make your audio sound sick.

Back in the day, the YAMAHA CDR1000 served as an excellent choice for burning professional-grade CD masters. With the inclusion of the Apogee UV22 Super CD encoding, these masters sounded their absolute best. Even today, the CDR1000 remains a worthwhile purchase, not only for its ability to create high-quality CD masters but also for its superb CD playback system.

During the time when these machines and ADATs were the norm for budget recorders, I frequently suggested the Tascam DA-88 machines as a better alternative to the ADATs. Regrettably, ADATs were more prevalent and to ensure compatibility between studios, I often had to work with them. In my experience, I found that Tascam machines not only sounded superior but also functioned more reliably than ADATs. They synchronized at a faster rate and remained synchronized better once set up.

The DBX 165 compressor is a versatile and reliable tool for anyone looking to achieve the distinctive DBX VCA compression sound. Its slightly cleaner and less aggressive sound may make it a better choice for some users, while its affordability compared to the 160VU makes it an appealing option for those on a budget.

The 1176 compressor is the one I always reach for! It’s one of the best compressors for rock and/or R&B bass, but it also performs exceptionally well on drums, acoustic instruments, and high-transient sources. What’s more, it’s perfect for mixing as it doesn’t alter the sound unless you deliberately adjust the settings. However, it can be pretty aggressive on vocals.

For the past four or five years, I’ve been using the EMT 140 plate reverb whenever possible, and I can confidently say that it has one of the most exceptional reverb sounds I’ve ever heard. The realism it adds to my mixes is truly remarkable. It’s no wonder that the EMT 140 has become a classic piece of gear and is often considered the holy grail of plate reverbs. Although they are quite expensive these days, if you have access to a studio that has them, they are a must-use.

The Empirical Labs Distressor is a fantastic device that brings color and warmth to your sound. It’s an all-around great workhorse that produces exceptional sound quality, making it a joy to use. One of the standout features of this unit is its extremely versatile compression curves, allowing it to handle a broad range of tasks from subtle compression to enhancing the snap and bite of percussion, drums, and vocals in British mode. I highly recommend getting two units and stereo linking them for an even better experience. With high-quality results and excellent value for money, it’s no wonder why I love the Distressor so much.