Latest User Reviews

An excellent vintage piece very well suited for drums. Tons of mojo and very fast in the creative process. Find the right space in about 20-30 seconds. Extremely well built. Only drawbacks are a mono input. The room sounds are great for drum sounds. The plates are cleaner, brighter and shorter by comparison. A great companion to a PCM80/90/91 or an Eventide H3000 for sound design/mixing Broadcast material.

This is a lovely reverb that sounds amazing. A bit noisy, but those rich and lush tails really shine. But the best thing about it is the intuitive and easy to use user interface.

They don’t make them like this any more – two delay lines, sounds amazing, can do standard delay to amazingly weird. The only problem is getting them fixed if they break as it is a specialist area, but certainly possible. I have two!

I fix these – not simple at all!

Recognized many albums released in the 80’s and 90’s had this PCM 42 sound and is still in use after 40 years! One of the great delay system of all time. Sound and the delay quality is just superb, second to none.

Great sounding machine that has served me well since I first bought it in the 70’s. Recently rebuilt the power supply and did some component updates. The Lexicon 224 has it’s own sound and works well with my Lexicon 480L and my Lexicon 300L. Just too bad Lexicon sold out to Harmon!