Heritage Audio MOTORCITY EQualiser

Heritage Audio MOTORCITY EQualiser

The Heritage Audio MOTORCITY Equaliser is a faithful reproduction of the rare and coveted passive EQs that were used at the legendary Motown studios in the 1960s.

Heritage Audio MOTORCITY EQualiser Details

Occasionally, something so special arrives, it turns the music industry upside down…and inside out. That is why Heritage Audio is incredibly pleased to offer the world’s first reproduction (and a dead on one at that) of the “Holy Grail” of classic EQ’s. The Heritage Audio MOTORCITY EQualiser.

Recreated from original Motown units owned by eight-time Grammy winning producer, mixdown artist, and innovative engineering genius Michael Brauer, Heritage Audio has left no stone unturned, recreating the unmistakably huge, punchy and warm signature sound that makes this EQ as classic as the hits it helped create. From the 10-gauge hand brushed aluminium face plate, historically accurate control layout including custom moulded Bakelite knobs, the Heritage Audio MOTORCITY Equaliser looks the part.

More importantly, the unique passive equalisation circuit is identical and fully faithful to the original design. The MOTORCITY EQualiser is so precise, it stands as the only EQ available that can rival, or even “best” the popular Pultec EQ.

The Heritage Audio MOTORCITY Equaliser is a completely analogue, passive EQ design with seven accessible frequency points across the tonal spectrum. Each frequency has a stepped rotary switch capable of a flat response, or up or down 8 dB in 1 dB increments. Frequency points graduate from 50 Hz, 130 Hz, 320 Hz and 800 Hz before jumping to 2000 Hz, 5000 Hz, peaking at 12,500 Hz.

The front panel also features a simple in/out/off toggle switch with top hat knob and jewel light power indicator. All rotary switches have easy to read from a distance “General Radio” Bakelite style knobs recreated to look exactly like the originals (remember, this is not a slider-style graphic EQ). Finally, it features a master gain control (±8 dB), again in 1 dB increments.

The very simple 1960’s accurate back panel features a power supply jack, and an XLR input and output. The sound itself is exactly what you’d expect. It packs a punch without sounding harsh or distorted.

While something as simple as an analogue seven band EQ might sound more like hype than hyper goodness, hearing is believing. Why has Heritage audio gone through the seemingly impossible task of bringing them back to life? Michael Brauer will tell you this: “It simply got that sound”.

The Heritage Audio MOTORCITY Equaliser is not a digital equivalent, not a respectfully close replica and not a more compatible modernised “improvement.”

The Heritage Audio MOTORCITY Equaliser is nothing less than the genuine article finally made available for the general public. For the very first time in history, you can integrate this true spec to spec carbon copy of both form and function into your own studio.

Specifications

  • Line input impedance: 2400 Ω bridging, transformer balanced and floating.
  • Output impedance: Less than 75 Ω, transformer balanced and floating, to drive a load of 600 Ω.
  • Maximum output: Greater than +26,5 dBu into 600 Ω (internally terminated).
  • THD: Less than 0,025 % at 1 kHz, Less than 0,05 % at 100 Hz.
  • Frequency response: 20 Hz (+0,3 dB) to 20 kHz (-0,2 dB).
  • Self noise: Less than -100 dBu.
  • Power consumption: Less than 90 mA @ 48 V DC.
  • Dimensions (W x H x L): 482 mm x 116mm (2 Rack units) x 381 mm..
  • Weight: 6,8 Kg

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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