GML Model 8200

GML Model 8200 Parametric Equaliser

Brought to you from the man who invented and coined the term “Parametric Equalisation”, the GML Model 8200 has been an industry standard for almost forty years and can be found on virtually every major recording studio’s stereo bus.

2001

GML Model 8200 Parametric Equaliser Details

Each of the five broadly overlapping bands on the GML Model 8200 Parametric Equalizer offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode.

Quite simply, the GML Model 8200 is the archetype Stereo Parametric Equaliser. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalisers but exceeded by no other. The 2U 8200 uses one 8355 PSU.

The GML Model 8200 Parametric Equaliser has become the reference standard due in large part to its features:

  • All-discrete, Class-A design; no integrated circuits to compromise the audio path
  • GML Model 8200 features 2 Channels, 5 Bands: Fully Parametric
    • 15Hz-800Hz, Q of .4-4 or shelving, 15dB boost/cut
    • 15Hz-800Hz, Q of .4-4, 15dB boost/cut
    • 120Hz-8kHz, Q of .4-4, 15dB boost/cut
    • 400Hz-26kHz, Q of .4-4, 15dB boost/cut
    • 400Hz-26kHz, Q of .4-4 or shelving, 15dB boost/cut
  • No interstage or coupling capacitors to add distortion or degrade over time
  • Transformerless; precision electronically balanced input buffer and DC servo stabilised direct-coupled output
  • Carbon-film precision potentiometers, manufactured to GML exacting standards
  • Designed with GML 9202 low-noise, low-distortion, wide dynamic range, wide bandwidth precision discrete opamp
  • No tantalum, ceramic, or electrolytic capacitors in the signal path
  • Precious-metal interconnects
  • High-quality XLR interconnects, Au over Ag
  • Illuminated push-button switches for “EQ In” and “EQ Out”
  • LED power indicator
  • Multi-coloured knobs, GML standard
  • Rugged and stylish, black-anodised aluminium chassis
  • Reverse-anodised lettering, much more permanent than ink or paint processes
  • Quality PCB manufacturing, assembly, and chassis construction

Specifications

  • Input
    • 20 kOhm balanced bridging
    • 32 dB common mode rejection at 20kHz
    • +27.4 dBv maximum before clipping (±28 VDC supplies)
  • Throughput
    • ±0.1 dB, 10 Hz to 80 kHz response (controls set flat)
    • 0.002% Harmonic distortion at any frequency 20 Hz – 20 kHz1
    • 0.002% SMPTE Intermodulation distortion2
    • 30 v/usec discrete low noise, high performance amplifiers
    • no tantalum or electrolytic interstage or output coupling capacitors
    • noise -97.5 dBv bypassed, -78 dB or better typical (control position dependent)
    • rolloff: 3 dB down at 260 kHz
  • Output
    • +27.4 dBv clipping
    • 3 mv output offset, stabilized by D.C. servo correctio
  • Other
    • external power supply: ±28 volts
    • separate ground and chassis connections at rear
    • 19″ x 3 1/2″ rack case, black anodized aluminium, silver legend, 8 1/2″ deep weight: 6 lb

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

There are no samples available at the moment. If you can help, please contact us.

Currently no information available…

No results found.

MXR MODEL 113 DIGITAL DELAY

By Art Boffi

Sound Quality 100%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

Great unit. Durable (40 years old and still going unlike the imported stuff being offered today). I own several different delays (I.e. ADA, Lexicon, and multi effect units) and this thing matches up to the best of them. Recommended!

Used it? Leave your rating and review.

2 Responses

Leave a Reply

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!