Focusrite Red 3

Focusrite Red 3 Dual Compressor Limiter

The Focusrite Red 3 employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting, without the compromise and unnecessary processing involved in traditional designs.

Focusrite Red 3 Dual Compressor Limiter Details

The success of the Focusrite Red 3 Dual Compressor Limiter is attested to by the Red 3’s TEC award for Outstanding Technical Achievement in the Signal Processing Technology category in 1995, as well as it’s placement in the racks of Michael Braur and Chris Lord Alge.

The Focusrite Red 3 VCA is a proprietary Focusrite design, fully discrete and balanced, offering superb low noise and distortion. and excellent common-mode rejection. In order to separate compression and limiting, the side-chain electronics contain three VCAs in series to generate compression and limiting control voltages which drive the main VCA.

The result is true compression followed by limiting. rather than the more common characteristic of compression that turns into limiting. The side-chain electronics are class A. ensuring superb transient response. Both compression and limiting therefore, offer true peak response, not averaging RMS response.

The use of such a high-quality audio VCA as the only element between input and output means a very short signal path, and an ability to retain a natural, unobtrusive sound even when significant compression is being applied.

Each channel of the Focusrite Red 3 has clear and identical controls, for compressor ratio, threshold, make-up gain, attack and release. and limiter threshold. A program-dependent auto-release mode is available, and the VU meters can be switched to show levels in two ranges or gain change. In stereo mode the lower set takes control of channels.

Features

  • Stereo switch for true stereo operation from a single set of controls
  • Key inputs with illuminated push-button selection
  • Illuminated push-button switches for compressor/limiter in/out on each channel
  • Precision VU metering of signal level or gain change (switched)
  • Can operate as a discrete channel unit

Specifications

    • Input Sensitivity: +4 dBu
    • Input Impedance: 10 kohms ±15% (20 Hz to 20 kHz)
    • Balance: Greater than 60 dB
    • Frequency Response: -3 dB points at 5 Hz and 120 kHz, passively limited
    • Noise: Better than -80 dB below +4 dBu output level
    • Distortion:
      • 0.02% with input at 0 dBu at 1 kHz
      • 0.006% with input at +10 dBu at 1 kHz
      • 0.004% with input at +20 dBu at 1 kHz
    • Output: +24 dBm with output loaded 600 ohms, balanced and floating

    Facilities (on each of two channels)

    • Ratio: Switched ratios of 1:1.5, 2, 3, 5, 7, 10
    • Gain Make-up: Continuously variable from 0 dB to +20 dB
    • Attack: Continuously variable from 300 µs to 90 ms
    • Release: Continuously variable from 100 ms to 4 s
    • Auto Release: Programme dependent release time selection
    • Limiter Threshold: Switched from -24 dB to +12 dB in 3 dB steps
    • Limiter Indicator: LED lights when limit activated

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

There are no samples available at the moment. If you can help, please contact us.

Currently no information available...

Currently no information available...
The absence of information doesn't necessarily mean it hasn’t been used on classic tracks or albums; it just means we don't have the details.

No results found.

There are currently no reviews, why not be the first?

Used it? Leave your rating and review.

Leave a Reply

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!