The Eventide H3500 came several years after the H3000 and added little more other than the sampling feature. Internal electronics of the Eventide H3500 remained the same as the Eventide H3000 so performance was ultimately the same.
Eventide H3500 Effects Options
- DIATONIC SHIFT – A pitch shifter that stays in key
- DUAL SHIFT – Two separate pitch shifters
- LAYERED SHIFT – Two pitch shifts from one input
- STEREO SHIFT – Mono-compatible stereo pitch shifting (maintains stereo imaging)
- REVERSE SHIFT – Backwards-talking pitch shift
- SWEPT COMBS – Six sweepable delay lines, with stereo panning
- SWEPT REVERB – A dense reverb with smooth sweep capability
- REVERB FACTORY – A full-featured reverb with EQ and flexible gating
- ULTRA-TAP – Twelve delay taps with full control over panning, level, and delay. Includes a diffusor to generate dense gated reverb effects.
- DUAL DIGIPLEX – A stereo delay with smooth delay change
- LONG DIGIPLEX – A 1.5 second delay with delay control
- PATCH FACTORY – A “modular” effects program which lets you design your own effect. “Patch” together delay filters and pitch shifting to create never-heard-before effects.
- STUTTER – Get that St..st..stutter sound
- DENSE ROOM – Our densest reverb, with unique front/back position control
- VOCODER – This is our version of the classic vocoding effect
- MULTISHIFT – Two six-octave pitch shifters, two delays, panning and patchable feedback paths make this program incredibly useful
- BAND DELAY – A multi-tap delay line feeding eight resonant bandpass filters make for some sounds like you’ve never heard
- STRING MODELLER – This program lets the H30 double as an extra voice in your MIDI rack
- PHASER – A wonderfully thick, smooth, phase-shifting effect that is hard to beat
- MOD FACTORY – The latest algorithms that add effects such as delay ducking, BPM delays and sweeps, compression, manual flanging, smooth autopanning, audio triggered sweeps and much more
- HS322/395 SAMPLER – Digitally records up to 11.8 seconds stereo or 23.7 seconds mono audio (47.5 seconds of stereo or 95 seconds of mono audio with the Eventide H3500 dfx/e).
