Eventide Eclipse

Eventide Eclipse Studio Effects Processor

The Eventide Eclipse is the power, the performance, the heritage of Eventide Audio effects in a single rack space unit. From the amazing range and depth of its algorithms to its comprehensive array of analogue and digital I/O ports, the Eclipse puts the legendary effects processing power of Eventide within your reach.

Eventide Eclipse Studio Effects Processor Details

Eventide Eclipse is the only effects processor in its class to feature 24-bit digital conversion and 96kHz sampling. We’ve packed almost 100 algorithms into Eclipse along with a two effects block design. The dual routing configurations let you use Eventide Eclipse as two independent effects processors: ideal for the smaller, budget-conscious studio.

The two effects blocks’ inputs and outputs can be configured for stereo or mono. Or select a preset that combines two algorithms or recursive combinations for big multi-effects without sacrificing quality.

Classic Eventide Effects
We’ve packed Eventide Eclipse with effects Eventide is famous for. There’s quick, seamless pitch shifting including our innovative Micro pitch shift, which FOH engineers and vocalists have come to rely on for turning good vocal performances into great ones. Eventide Eclipse boasts no fewer than 11 reverberation algorithms plus four plex algorithms.

Originally developed for Eventide’s industry-standard Orville™ and DSP 7000 series, these reverbs have been carefully and faithfully transplanted into Eventide Eclipse. And all reverbs are true stereo in and out, not mono in, stereo out.

The vast array of delays lets you design lush, dense soundscapes. You’ll find band delays, chorus delays, comb delays, ducked delays, ring delays and pan delays. And with 20 seconds of memory per effects block, Eventide Eclipse is a looper’s delight.

It’s easy to get lost in the 20-second mono loop, 10-second dual loops, 20-second reverse loop, and 10-second dual reverse loop. Remember, these looping presets running on one FX block leaves the other FX block available for adding texture or dimension.

Unleash the Sonic Beast
Whether it’s live performance, front-of-house engineering, or quality studio processing, Eventide Eclipse gives you the tools you can depend on in one compact, professional package. After all, Eventide Eclipse is not just an effects box, it’s an Eventide.

I/O Ports for Maximum Versatility
The rear panel has a port to support all your needs, including AES/EBU, S/PDIF and ADAT™ Lightpipe™ for digital applications. Analog balanced XLR-type and unbalanced ¼” inputs and outputs. The ¼” jacks even accept a high impedance instrument signal.

There’s Word Clock In and Out on BNC connectors and two pedal ports for performers. And of course, full MIDI (IN/OUT/THRU) including an external power jack for your cabling convenience. There’s even a serial port which makes it easy to update Eventide Eclipse’s software from the internet; no chip changing needed.

Easy Set-Up and Operation
The Eventide knob and keypad make setup and operation easy. If you’re familiar with our H3000 series Harmonizer units, you’ve already got the basics.

Hot Keys
Hot Keys provide quick access to the eight most important parameters on every preset. In addition, you can customise the Hot Keys on any preset to create your own unique program.

Dedicated Tap Button
The tap button isn’t just for delays. It’s also the frequency rate of the LFO modulating your sample and hold filter, or the speed of your autopanner or tremolo. The Tap function can be set to average out from 2 to 12 taps.

Design Your Own Presets
You get a complete selection of presets, but Eventide Eclipse makes it easy to design your own. Load one or two algorithms, pick a routing, assign the Hot Keys, and tweak.

Flash Card Slot
Your presets can be stored easily in the Eclipse or on an affordable compact flash card. Transferring presets from one Eclipse to another is simple with compact flash cards.

Specifications

  • Sample Rates: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz, or external
  • Frequency Response:
    • Sample Rate (44.1 kHz): +0/–0.1 dB (20 Hz–20 kHz) | +0/–3.0 dB (5 Hz–21 kHz)
    • Sample Rate (48 kHz): +0/–0.1 dB (20 Hz–22 kHz) | +0/–3.0 dB (5 Hz–23 kHz)
    • Sample Rate (88.2 kHz): +0/–0.1 dB (20 Hz–41 kHz) | +0/–3.0 dB (5 Hz–42 kHz)
    • Sample Rate (96 kHz): +0/–0.1 dB (20 Hz–44 kHz) | +0/–3.0 dB (5 Hz–46 kHz)
  • Digital Inputs/Outputs:
    • 2 AES and 2 S/P DIF at 44.1–96 kHz
    • AES relay bypass at power down
  • Analog Input (XLR Balanced Inputs):
    • Impedance: >20 kOhm, bridging
    • Full Scale Input Level: 26 dBu
    • Dynamic Range: >100 dB
    • Signal to Noise Ratio: >100 dB, A-weighted
    • THD+N: <0.002% @ 1 kHz, –3 dBFS
    • Crosstalk: <-100 dB @ 20 Hz to 20 kHz, –1 dBFS
  • Analog Output:
    • Impedance: <50 Ohm
    • Full Scale Output Level: 26 dBu
    • Dynamic Range: >110 dB
    • Signal to Noise Ratio: >110 dB, A-weighted
    • THD+N: <0.002% @ 1 kHz, –3 dBFS
    • Crosstalk: <-100 dB @ 20 Hz to 20 kHz, –1 dBFS
  • Remote Control Inputs: Up to 2 foot pedals (or 0–5V control inputs), or 6 footswitches, or combination
  • MIDI Connections:
    • 5 pin DIN output and thru
    • 7 pin DIN input with output capability and external power jack
  • Power Consuption: 25 watts
  • Size: 44.5mm x 483mm x 317mm
  • Weight: 5.5 kg

TRY OUR ‘MY EFFECTS RACK’ FEATURE TO TRACK WHAT YOU HAVE IN YOUR EFFECTS RACK NOW, AND THOSE ITEMS YOU WISH TO ADD.

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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