TUBE-TECH

TUBE-TECH has been around for 40 years, and over the years, more than 15,000 Blue Units have been shipped from Lydkraft, Denmark. Lydkraft was founded in Denmark in 1977 by John G.Petersen and two partners. The company originally served the PA market but turned away from this area of business in 1980 when John Petersen took over the company and focused his efforts towards the design, development and manufacturing of direct boxes, mixing desks and speaker systems. Due to decreasing sound quality from modern studio consoles, the demand for vintage high quality tube gear was increasing and John decided to start development of his own units in 1984. John’s fascination of classic high-quality analog sound made him start designing the TUBE-TECH line of all-tube signal processing equipment. Production of the first TUBE-TECH unit took place in Johns private garage, and the PE1A Program EQ and Midrange EQ ME1A were almost direct copies of the Pultec units, since John wanted this high quality design to be available to a bigger group of studio customers. After these two units followed the whole line line of “classic” TUBE-TECH units, all designed from the ground up by John G. Petersen.

Released in 1991
The Tube-Tech CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.
Released in 1991
The TUBE-TECH PE 1C is a passive, all-tube EQ, based on the legendary PULTEC EQP 1A design and featuring a passive EQ section and a high-quality op amp.
Released in 2007
The TUBE-TECH LCA 2B is a dual-channel, all-tube VCA compressor/limiter with independent, linkable channels. As a true TUBE VCA compressor, it uses a tube as the voltage-controlled amplifier (VCA), a design commonly referred to as a Vari Mu compressor.
Released in 2009
The TUBE-TECH MEC 1A is a single-channel recording unit featuring a tube-based mic preamp, equaliser, and compressor. It uses a tube operational amplifier for its filters and includes fully floating transformers for input and output. Most DC voltages are stabilised, ensuring high-quality performance.
Released in 2009
The TUBE-TECH CL 2A is an all-tube optical compressor featuring two independent, linkable channels. Renowned for its versatility, the CL 2A delivers exceptional results on all audio sources and is highly regarded as a reliable “problem solver” for precise and delicate gain control applications.
Released in 2013
The TUBE-TECH ME 1B is a passive, all-tube midrange equaliser inspired by the Pultec MEQ-5, featuring two boost sections and one dip section. With a broader bandwidth for smooth and musical EQ, it’s ideal for vocals, instruments, and midrange sources. It pairs perfectly with the PE 1C and is great for adding warmth and character, including the iconic Motown midrange sound.
Released in 2014
The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. It offers wide 3-band level control combined with individual compression for each band, delivering exceptional results on the main mix bus, drum buses, instrument groups, and individual tracks.
Released in 2014
The TUBE-TECH MP 2A is a mic preamp/DI unit built on a classic TUBE-TECH design, now enhanced with higher fidelity and additional features. These include an impedance switch for optimal input matching with various microphones, an overload indicator, and 2 dB gain steps for precise control.
Released in 2015
The TUBE-TECH HLT 2A is a unique equaliser, blending high and low shelving EQ, high and low cut filters, and an innovative “tilt” midrange EQ. This is the first time such a filter combination has been created in the analogue domain.

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!