Roland

Roland is best known for its legendary keyboards, but it also has a rich history in digital effects processors. Starting with early tape delays like the RE-201 in the 1970s, Roland’s innovation continued into the digital era with the SDE-2000 digital delay and the iconic SDD-320 Dimension D Chorus in 1981. Over the years, they introduced standout products such as the SRV-2000 reverb, famous for its characterful sound and use by Slash on “Sweet Child of Mine.” Roland’s attempt at high-end studio reverb with the R880 met limited success, leading them to focus on more affordable processors. The SRV-330 dimensional reverb and SDE-330 space delay are highly regarded, while the rare SDX-330 dimensional expander is famed for its superior chorus effects. Their final unit, the SRV-3030, was less successful and often confused with the well-regarded SRV-330, but they remain distinct products in Roland’s diverse effects legacy.

Released in 1974
The Roland RE-201 when it was released in 1974, was an engineering masterpiece. It featured a sophisticated tape-echo effect and a built-in spring reverb, with different sound variations selectable via 12 different operating modes.
Released in 1977
The Roland RE-301 Chorus Echo is a vintage tape delay unit known for its warm analogue sound. It features a built-in chorus for added modulation. The unit has straightforward controls for easy manipulation and is suitable for musicians seeking a classic, reliable delay effect with a touch of vintage charm.
Released in 1979
The Roland RSS RV-800 stereo reverberation unit incorporates an optional compressor to increase headroom and allow reverberation effects to be added to low level signals.
Released in 1979
The Roland SBF-325 is a stereo flanger with dual audio delay lines. It has three different flanger effect modes and one chorus mode. It preceded the now famous Roland SDD-330 by two years in terms of rack mount chorus effectors.
Released in 1981
Roland’s first digital delay, the Roland SDE-2000 was a big hit when it arrived, guitarists took to it like a duck to water, as too did home recording studios. It may have had limited bandwidth with the relatively low sampling rate of 26kHz, but that did not stop the success Roland enjoyed with the SDE-2000, but it did kill off the Space Echo, for a while at least.
Released in 1981
Roland’s Chorus effect that featured heavily on their JC Series guitar amplifiers was a unique and desirable sound back in the late 1970s and early 1980s. The demand for this new chorus effect was so great, Roland developed the Roland SDD-320 Dimension D to satisfy that market demand, and it is quite possibly the greatest chorus effect processor ever made.
Released in 1983
The Roland SDE-3000 was a natural progression from the earlier SDE-2000 and offered better sound quality through increased bandwidth among other improvements. The Roland SDE-3000 is a high-quality Delay Machine featuring various delay effects and also the Memory function that retains up to eight different panel settings, therefore, it is extremely helpful for both studio and live performance.
Released in 1983
The Roland SDE-1000 represented Roland’s entry into the affordable Digital Delay market, and it brought quality effects for all of us. The Roland SDE-1000 Digital Delay is a high quality 12-bit digital delay machine with various attractive features including chorusing.
Released in 1985
The Roland SRV-2000 is one of those classic old Japanese reverbs that while not perfect, is certainly perfect in some situations, and in particular for snare! Yes, it is grainy at times, perhaps a little too bright and the reverb tails are not the smoothest, but it is these characteristics that give the Roland SRV-2000 it’s mojo and a place in your studio.
Released in 1985
The Roland SDE-2500 Digital Delay came after the Roland SDE-3000 and coincided with the release of the equally excellent Roland SRV-2000 Digital Reverb.
Released in 1986
Roland proudly introduced a new standard in signal processors the Roland DEP-5 Digital Effects Processor. The Roland DEP-5 incorporates Roland’s most advanced digital technology for great sound and easy programming. Roland digital effects devices are the choice of musicians and engineers the world over. Onstage and in studios, the remarkable SRV series digital reverb units and SDE series digital delays play a vital role in today’s music.
Released in 1987
The Roland GP-8 Guitar Effects Processor offers eight programmable effects, customisable patches, and easy control via the optional FC-100 Foot Controller. With user-friendly features like the Alpha-Dial and back-lit LCD, it’s ideal for live and studio use.
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