Other Digital Effects

Digital Effects Processors are everything that is great about digital signal processing and provide multiple effects in a single box. Everything from digital reverb, digital delay and modulation effects are included. The ability to combine these effects takes everything to another level altogether. Eventide was one of the very first companies to head down this path with the Eventide H910 Harmonizer. The H910 was the world’s first commercially available digital audio effects processor. The H910 combined pitch effects with delay and feedback to create a very unique device for the time. The success Eventide enjoyed with this first product spawned many products over the years, and Eventide deservedly own the multi-effects processor market to this day. Their latest product the Eventide H9000 is an extraordinary bit of technology that will take them through the next decade.

A number of companies over the years have tried to take on Eventide, some with great success, some not so much. One such company that did succeed was Yamaha with their range of SPX signal processors. Yamaha introduced their SPX90 processor in 1985 and it offered everything from reverb to delay, chorusing and a multitude of other effects in a single rack space. The SPX90 was a massive hit for Yamaha who followed it with a string of even better processors. Companies like Alesis, Ensoniq, Korg, Kurzweil, Lexicon, Roland, Sony and TC Electronic all got into the multi-effects processor market with varying degrees of success. There are however some real standout products for those looking to buy hardware based multi-effects processors besides the Eventide and Yamaha offerings, and that includes the Ensoniq DP/4 and DP/4+ processors, as well as the Sony DPS-V77.

Released in 2000
Lexicon 960L, was the last of the big reverbs from Lexicon and was a configurable Stereo/Surround Reverb Processor and Flying Fader Remote. (LARC) For nearly thirty years, the world’s most accomplished engineers and producers have relied upon Lexicon for their most critical music and sound productions, and the Lexicon 960L was a powerhouse.
Released in 2000
The Zoom RFX-1000 offers professional reverb, versatile effects like VOCODER and LO-FI, and creative options like RESONANCE and RING MODULATOR. It includes specialised mixdown effects for polished recordings, and its MIC IN with Mic Simulator enhances vocals and mimics high-end microphones.
Released in 2001
The Eventide Eclipse is the power, the performance, the heritage of Eventide Audio effects in a single rack space unit. From the amazing range and depth of its algorithms to its comprehensive array of analogue and digital I/O ports, the Eclipse puts the legendary effects processing power of Eventide within your reach.
Released in 2001
The Eventide Orville is a programmable, multichannel, multipurpose, dual digital signal processor (DSP), 24-bit digital audio signal processor with UltraShifter capability. It is the successor to a long, proud line of digital signal processors that stretches back to a time when most audio manufacturers didn’t know digital audio from Morse code.
Released in 2001
Eventide loaded the Eventide DSP7000 Ultra-Harmonizer with features that put it in a class by itself. The variety and depth of its programs are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to EQs, to filters, to distortions, to synthesisers, to samplers, to ring modulators, and to everything in-between.
Released in 2002
From the creators of the finest synthesisers in the world comes the world’s most powerful effects processor, The Kurzweil KSP8 is winner of the 2003 Electronic Musician Editors Choice Award for Best Effects Processor Over $1000.
Released in 2003
Kurzweil Mangler is based on the effects found in the KSP8, Kurzweil’s flagship multichannel effects processor, and offer easy-to-use effect presets for any environment. Both models are single rack space units featuring 192 effects presets, 64 locations for user-created presets, balanced stereo analogue inputs and outputs, S/PDIF digital I/O, and pre-effect EQ.
Released in 2003
The Yamaha SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing.
Released in 2005
The Mackie QUAD Comp/Gate along with its sibling the Mackie QUAD EQ where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of analogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
Released in 2005
The Mackie QUAD EQ along with it’s sibling the Mackie QUAD Comp/Gate where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of anlaogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
Released in 2005
Whether you’re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the Lexicon MX200.
Released in 2005
The Zoom RFX-1100 is a versatile digital reverb and multi-effect processor offering 33 effects, professional-quality reverb, innovative sound options, and easy-to-use controls for quick sound adjustments.
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