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Digital effects processors showcase the best of digital signal processing, offering multiple effects like reverb, delay, and modulation in one unit. Eventide pioneered this field with the H910 Harmonizer, the first commercially available digital effects processor, combining pitch effects, delay, and feedback. This innovation cemented Eventide’s dominance, culminating in the cutting-edge H9000. Yamaha also made waves with the SPX90 in 1985, a one-rack-space processor featuring reverb, delay, chorusing, and more, leading to a successful SPX series. Other notable players like Alesis, Ensoniq, Korg, Kurzweil, Lexicon, Roland, Sony, and TC Electronic have contributed standout products, including the Ensoniq DP/4, DP/4+, and Sony DPS-V77.

Released in 1995

Alesis MidiVerb 4 Digital Effects Processor

The Alesis MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects.
Alesis Midiverb 4
Released in 1996

TC Electronic M2000 Multi Effects

The TC Electronic M2000 provides you with a broad palette of high-quality effects enabling you to create magical effects. The true dual engine configuration on the TC Electronic M2000 allows you to run two full-blown effects simultaneously, i.e. on two individual effects sends.
TC Electronic M2000
Released in 1996

Lexicon MPX1 Multi-Effect Processor

The Lexicon MPX1 was aimed at guitarists/home recording musicians, and while there are programs for guitar, it also makes an excellent all round effects processor. The Lexicon MPX1 multi processor technology gives you multi-effects the way you expect them to work with instant access to individual effects, and the ability to run uncompromised stereo reverb at all times.
Lexicon MPX1
Released in 1996

Alesis Microverb4 Signal Processor

The Alesis Microverb 4 brought full bandwidth 18 bit effects processing to the masses at an incredibly low price, with limited editing and a mass of presets. While not as flexible as Alesis’s other models, such as the Quadraverb, the Alesis Microverb 4 offered good value for money a range of effects for the home recording musician.
Alesis Microverb4
Released in 1996

Zoom Studio 1204 Effects Processor

The Zoom Studio 1204 is a multi-effect processor offering 512 presets with space for 100 custom effects. It features real-time editing, memory mode for quick access to stored effects, and MIDI control. With 18-bit A/D and D/A converters and 44.1 kHz sampling, it delivers professional sound at a budget-friendly price.
Zoom Studio 1204
Released in 1997

Ensoniq DP Pro Effects Processor

The Ensoniq DP Pro released in 1997, was the final effects processor to come out of Ensoniq. It came after the success of the DP/4, DP/4+ and DP/2 processors. Unlike the DP/4 & DP/4+, the Ensoniq DP Pro was a stereo effects processor. Sadly, two channels of processing were not all it lost; it also lost the more intuitive interface of the DP/4 series of processors.
Ensoniq DP Pro
Released in 1997

Lexicon PCM 81 Digital Effects Processor

The Lexicon PCM 81 takes over where the Lexicon PCM 80 left off, and adds AES/EBU Digital I/O, includes algorithms and presets from the Pitch FX and Vocal Fix Cards, and adds 24-bit converters for even higher quality audio.
Lexicon PCM 81
Released in 1997

Zoom Studio 1201 Digital Reverb & Multi Effects

The Zoom Studio 1201 is a digital reverb and multi-effects processor with 363 presets and high-quality specs, including 44.1 kHz sampling and 18-bit converters. It’s ideal for creating dynamic tracks with effects like Lo-Fi and KARAOKE.
Zoom Studio 1201
Released in 1997

Korg AM8000R Ambience Multi-Effects Processor

The Korg AM8000R Ambience Multi-Effects Processor offers advanced, high-quality sound processing with a user-friendly interface, extensive effects options, and flexible real-time control at an affordable price.
Korg AM8000R
Released in 1998

Sony DPS-V55 Multi Effects Processor

Sony made a killer effects processor with the DPS-V77, so next step was to capitalise on that with a four-channel version, right? But something went wrong…On paper at least, the Sony DPS-V55 should be a killer effects processor, but by all accounts, it does not succeed. Just as Roland did with their SRV-3030, the sound quality leaves a lot to be desired.
Sony DPS-V55
Released in 1998

TC Electronic FireworX Studio Effects Processor

The TC Electronic FireworX is the most radical sounding Multi-Effects Processor you’ve ever heard and a real challenge to your imagination. Take whatever you need from the broad palette of internal effects, drop it into the forge at the heart of the TC Electronic FireworX, and turn your music into a fireball of sound.
TC Electronic Fireworx
Released in 1999

TC Electronic M-One XL Dual Effects Processor

TC Electronic M-One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects. TC Electronic XL Technology – Based on Our Renowned Reverb Heritage. High-quality Multi Effects – Reverb, Delay, Chorus, Flanger, Compressor, Gate, etc.
TC Electronic M-ONE-XL
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