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Digital effects processors showcase the best of digital signal processing, offering multiple effects like reverb, delay, and modulation in one unit. Eventide pioneered this field with the H910 Harmonizer, the first commercially available digital effects processor, combining pitch effects, delay, and feedback. This innovation cemented Eventide’s dominance, culminating in the cutting-edge H9000. Yamaha also made waves with the SPX90 in 1985, a one-rack-space processor featuring reverb, delay, chorusing, and more, leading to a successful SPX series. Other notable players like Alesis, Ensoniq, Korg, Kurzweil, Lexicon, Roland, Sony, and TC Electronic have contributed standout products, including the Ensoniq DP/4, DP/4+, and Sony DPS-V77.

Released in 1987

Korg DRV-3000 Dual Digital Effect Processor

The Korg DRV-3000 is designed and constructed to professional specifications and incorporates sophisticated state-of-the-art LSI technology to create a wide variety of superb effects.  The Korg DRV-3000 can be used in virtually any music situation where high-performance sound processing is required and is particularly suited to MIDI applications.
Korg DRV-3000
Released in 1987

Yamaha SPX-50D Digital Sound Processor

Yamaha was on a roll with the great success of their SPX90 and SPX90 II multi-effects processors, and expanded the line up with the SPX50D. The Yamaha SPX50D added distortion to the list of effects, clearly aiming the processor towards guitarists and perhaps trying to compete with the success Eventide were enjoying with their processors.
Yamaha SPX-50D
Released in 1988

Alesis Midiverb II Digital Effects Processor

For anyone holding out on buying the original Alesis Midiverb, the Alesis Midiverb II was enough to convince them it was time to jump on board, including Tommy Emmanuel.
Alesis Midiverb II
Released in 1988

Roland E-660 Digital Parametric Equaliser

The Roland E-660 is a versatile two-channel digital equaliser with eight filters for precise sound adjustments, offering flexible configurations and intuitive controls, along with delay capabilities and extensive connectivity options.
Roland E-660
Released in 1988

Lexicon 480L Digital Effects System

For many engineers, the Lexicon 480L is the pinnacle of digital reverbs and has never been bettered, not by Lexicon or anyone else. The Lexicon 480L came along in 1988 and has remained in place at most studio around the world as it simply cannot be replaced by a plugin according to those who own them and love them.
Lexicon 480L
Released in 1988

Yamaha SPX900 Professional Multi-Effect Processor

The Yamaha SPX900 was the first SPX processor to feature full bandwidth, 20Hz to 20kHz. In doing so Yamaha put to rest the REV series of processors. As digital technology improved over time, Yamaha moved forward with just the one series of processors and given the success of the SPX series, the REV series was dropped and all efforts were put into SPX series.
Yamaha SPX900
Released in 1988

Alesis QuadraVerb Digital Effects Processor

BY 1988 Alesis were on a roll, and with the release of the Alesis Quadraverb, they took things to the next level and continued to dominate the market for home recording. The Alesis Qudraverb’s party trick of course, was that it could use up to four different effects, reverb, delay, pitch and equaliser, simultaneously. And it did so with 20k bandwidth!
Alesis Quadraverb
Released in 1988

Akai PEQ6 Programmable Equaliser

Akai Professional Products released their Akai AR900 Digital Reverb alongside the PEQ6 Programmable Equaliser with similar commercial acceptance. The Akai PEQ6 was targeted more towards the keyboard player rather than studios, and with its MIDI implementation it was perfect for that purpose too.
Akai PEQ6
Released in 1988

Korg A3 Performance Signal Processor

The Korg A3 Performance Signal Processor offers 41 dynamic effects and 200 effect chains, allowing for instant recall and seamless integration of complex sound combinations, making it ideal for both studio and live performance settings.
Korg A3
Released in 1988

Yamaha SPX1000 Multi-Effect Processor

By 1988 when the Yamaha SPX1000 was released, Yamaha had pretty much established their place in recording studios the world over. Look at any modern studio effects rack and you will find Yamaha SPX1000s and it’s siblings, in studios the world over, such was the quality of these multi-effects processors.
Yamaha SPX1000
Released in 1989

Lexicon M300 Digital Effects System

The Lexicon M300 not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates new functions that satisfy the needs of today’s audio production. For both analogue and digital use the Lexicon 300 takes full advantage of recent advances in converter technology and combines them with flexible digital interfacing.
Lexicon M300
Released in 1990

Korg A2 Performance Signal Processor

The Korg A2 Signal Processor provides 102 Separate Effects and 97 Effect Chains that work very well with guitars: all with Professional Quality, Studio Sophistication built in.
Korg A2
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