Microphone Preamplifiers

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

Released in 2015
From America’s premier high-end studio gear manufacturer, the Manley Force contains four channels of real High Voltage vacuum tube microphone preamplifiers extracted from the hugely popular and award-winning Manley CORE®, housed in an exquisitely gorgeous chassis, and meticulously hand-crafted in California.
Released in 2015
The Locomotive Audio WT-72 is a two-channel all-tube equaliser that is renowned for its warm and musical sound and is commonly used in professional recording studios for mixing and mastering applications.
Released in 2015
The Neve 1073DPX has two channels of 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and a high pass filter.
Released in 2016
The all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.
Released in 2016
The Undertone Audio MPDI-4 Microphone Preamplifier is a compact powerhouse, providing four channels of high-quality preamplification for your audio needs. Whether you’re recording in a studio or on the go, this versatile unit ensures that your sound remains clear and transparent, making it a valuable addition to your audio setup.
Released in 2017
The Focusrite ISA 828 MkII incorporates eight of Focusrite’s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel.
Released in 2017
The LaChapell Audio Model 992EG is a boutique, two channel, fully balanced instrument and microphone Tube Preamplifier hat no recording studio is complete without at least one.
Released in 2017
The elegantly crafted Neve 1073SPX adopts the 1073® Class A design, exquisite 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter – making the 1073SPX the obvious choice for modern studios.
Released in 2018
The Knif V804 Pre-Microphone Preamplifier uses only two amplifier stages, only one pentode and one triode per channel and the absolute minimum of other components.
Released in 2018
The Overstayer Modular Channel Model 8755D is a stereo channel with filters, eq, compression, and harmonics stages throughout, with sophisticated routing and a series/parallel mixer matrix.
Released in 2019
The IGS Pure Tube Channel is a high-end, no compromise channel strip design haling from Europe.
Released in 2019
The LaChapell Audio Model 983S is a two-channel vacuum tube instrument and microphone preamp delivering LaChapell performance in a cost effective two channel package.
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