Microphone Preamplifiers

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal. In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

Released in 2008
The TL Audio A1 Dual Preamp features two independent channels, with each channel offering mic and instrument inputs.
Released in 2008
The TL Audio A3 Channel Strip is a single channel unit, accepting mic, line and instrument inputs. Processing includes gain and phase control, compression and equalisation. A tube stage may be switched into the signal path, with variable drive control.
Released in 2009
The SPL Frontliner has everything to record voices and instruments in perfect quality: Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.
Released in 2009
The TUBE-TECH MEC 1A is a single-channel recording unit featuring a tube-based mic preamp, equaliser, and compressor. It uses a tube operational amplifier for its filters and includes fully floating transformers for input and output. Most DC voltages are stabilised, ensuring high-quality performance.
Released in 2010
Focusrite ISA Two brings together a totally independent pair of classic ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve – the Lundahl LL1538.
Released in 2010
The Manley Voxbox combines the Manley Mono Mic Preamp, the ELOP reborn as a lower ratio compressor, the MID EQ blown out as a full range PEAK-DIP-PEAK EQ, and a DeEsser with a second ELOP limiter at the end.
Released in 2011
The Gyraf Audio G9 is a dual true tube microphone preamp – made like our mother did it. It’s a simple, yet powerful unit, based on a variable-gain input tube stage driving a tube SRPP output stage. No silicon or other crap in signal path.
Released in 2012
The Aphex Channel Master Preamp is a microphone preamplifier used for professional recording. It has a clean sound with low noise and distortion, and includes features such as a high-pass filter, impedance control, and optical compression.
Released in 2013
The dbx 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination.
Released in 2014
Building upon its 25-year legacy producing revered recording studio equipment; Manley Labs has distilled its core technologies from this lineage. 2014 delivered the Manley Core, an innovative channel strip that combines Manley’s Greatest Hits with fresh technology.
Released in 2014
The SPL Crescendo Duo Dual-Channel Microphone Preamplifier with 120V technology provides exceptional headroom and low noise floor.
Released in 2014
The Locomotive Audio 86B-2 Vacuum Tube Preamp provides Two Huge Channels of Sweet and Harmonic Tube Preamp Gain that can sound Warm and Clean to Aggressive and Grungy.

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