Microphone Preamplifiers

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

Released in 2004
The Crane Song Flamingo is a high quality two channel discrete class A microphone pre-amp. It can be operated as a musically transparent pre-amplifier but is capable of emulating vintage sounds as well as creating distinctive new ones.
Released in 2004
Combining the features of the GML flagship Model 8200 Parametric Equaliser and GML Model 8300 Transformerless Microphone Preamplifier, the GML Model 2032 embodies the legendary detail and accuracy for which GML is renowned.
Released in 2004
The Chandler Limited TG Channel blends the TG2 preamp with an EQ inspired by the TG12410 Transfer Console. Using discrete amplifiers and an all-inductor EQ design, it delivers smooth highs, deep lows, and a sharp mid-cut, evoking the classic Pultec and Lang EQ sound.
Released in 2005
The Neve 1073DPD combines two world-famous Class A 1073® microphone preamplifiers with flexible 192kHz digital output capabilities – all in a single rack space. With legendary analogue circuitry and superior digital conversion, the 1073DPD is the obvious choice as an ideal front-end recording system for modern digital workstations.
Released in 2006
Enter audio excellence with the Electronaut M63 Microphone Preamplifier. Combining cutting-edge tech and vintage design, it features Lundahl Amorphous-Core Audio Transformers, 63 dB gain, and a reliable tube-rectified power supply. This preamp is your gateway to sonic brilliance.
Released in 2007
The Focusrite ISA 428 MkII incorporates four of Focusrite’s renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips.
Released in 2008
Combining the iconic Neve® mic preamplifier, powerful EQ and the incredible 88R dynamics processor; the 8801 delivers Neve console sound in a convenient 1U rackmount design, with the convenience of Total Recall™ and digital conversion.
Released in 2008
The Focusrite ISA 220 is a channel strip combining a transformer-based mic preamp, EQ, compressor, de-esser, and limiter. It offers smooth compression with a unique “Blend” feature and optional digital output for high-quality recording. Ideal for tracking, mixing, and mastering, it delivers Focusrite’s signature sound in a compact unit.
Released in 2008
The Universal Audio LA610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design – heard on classic albums by Coldplay, The Beach Boys, and Van Halen – with authentic Teletronix T4 opto-compression circuitry.
Released in 2008
The Requisite PAL Preamplifier and Limiter is now in its Mk III version but retains all the goodness of previous version with some sonic improvements.
Released in 2008
The ART MPA Gold Two-Channel microphone preamplifiers use differential input Class-A two-channel tube microphone preamp design with variable input impedance and selectable tube plate voltage to create the most versatile high performance microphone preamplifiers in its class. It delivers unmatched warmth, presence and clarity.
Released in 2008
The ART Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.
3 / 71234567

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!