Microphone Preamplifiers

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

Released in 1999
If you want to capture sound with stunning realism, clarity, and accuracy, you need a GML Model 8302 Transformerless Microphone Preamp.
Released in 2000
The Requisite OS1 Microphone Preamplifier MkII is a high-end analogue preamp designed for professional audio recording and mixing applications.
Released in 2000
The TL Audio PA-1 Pentode Preamp is TL Audio’s top of the range preamp – producing a stunning sound from any source – and offers a significant improvement over the vast majority of console preamps in any price range.
Released in 2000
The TL Audio VP-1 combines all the best elements of the PA-1 pentode preamp, C-1 compressor and EQ-2 parametric equaliser to create a truly flexible and spectacular sounding valve front end for any audio system.
Released in 2001
The Focusrite ISA 430 MkII is a high-end analogue channel strip that combines classic Focusrite designs with modern features, offering versatile routing and connectivity while maintaining the brand’s renowned sound quality.
Released in 2002
The Weiss ADC2 was designed for recording situations where there is no room for compromises. Every detail in its intricate circuitry serves to perfectly capture every nuance of the incoming audio and maintain the signal’s integrity all the way to your recording medium.
Released in 2002
The GML Model 2020 is a the reference-quality combination of the legendary 8300 Mic Pre, a 4-band version of the 8200 Parametric EQ, and a complete 8900 Dynamic Range Controller.
Released in 2002
With eight high-quality Focusrite channels, class A processing, built-in compressors/limiters, and a wide range of interface options, the Focusrite OctoPre is an ideal addition to any digital audio workstation. It simplifies multi-channel recording, making it perfect for capturing complex setups like drums and synths with exceptional clarity and flexibility.
Released in 2003
Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in and get it LOUD.
Released in 2003
The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.
Released in 2003
The TL Audio 5052 provides everything you would expect from a high quality ‘channel strip’ product, and then doubles it – making it the ideal system front end and the perfect stereo mixdown and mastering device.
Released in 2004
The dbx 286A’s Mic Preamp and five processors can be used independently or in any combination.
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