Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal. .Click here to learn more about the various types of equalisers.

Released in 2013
The dbx 1215 is a versatile graphic equaliser designed for audio professionals. With its 15 bands of precision EQ, it allows for precise control over the audio spectrum, making it ideal for shaping and fine-tuning sound in various applications. Whether you’re in a studio, live sound, or installed sound environment, the dbx 1215 offers reliable performance and flexibility in audio equalisation.
Released in 2013
The dbx 1231 is a high-performance graphic equaliser tailored for audio enthusiasts and professionals. Featuring 31 bands of precision EQ, it provides extensive control over the audio spectrum for shaping and optimising sound in diverse settings. With its reliable design and versatility, the dbx 1231 is a go-to choice for those seeking advanced equalisation capabilities in studio, live sound, or installed audio setups.
Released in 2013
The TUBE-TECH ME 1B is a passive, all-tube midrange equaliser inspired by the Pultec MEQ-5, featuring two boost sections and one dip section. With a broader bandwidth for smooth and musical EQ, it’s ideal for vocals, instruments, and midrange sources. It pairs perfectly with the PE 1C and is great for adding warmth and character, including the iconic Motown midrange sound.
Released in 2014
The IGS Rubber Bands Equaliser offers an all tube Pultec style equaliser.
Released in 2014
The IGS iQ Inductor Equaliser offers the sweetest parametric EQ sound, with inductors offering similar saturation to transformers.
Released in 2015
The TUBE-TECH HLT 2A is a unique equaliser, blending high and low shelving EQ, high and low cut filters, and an innovative “tilt” midrange EQ. This is the first time such a filter combination has been created in the analogue domain.
Released in 2016
The SPL PQ is a unique equaliser, for several reasons. It has two times five fully parametric filter bands, each of which can be switched between constant Q and proportional Q! And there’s sheer unlimited headroom and a very special kind of EQ sound – thanks to 120V technology.
Released in 2016
The Undertone Audio MPEQ-1 is one of the most powerful and musical Class A equalisers ever built as well as a wonderfully flexible, beautiful sounding Class A Mic Preamp/DI.
Released in 2016
The Tegeler Creme combines a passive EQ based on the Pultec principle and a high-end bus compressor in a single device.
Released in 2016
At the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. The opposite of a surgical tool, the BAX EQ is all about sweetening sounds with broad, musical adjustments.
Released in 2017
The Warm Audio EQP-WA Program Tube Equaliser is a faithful recreation of the industry-standard tube equaliser, the Pultec EQP-1A.
Released in 2017
The Klark Teknik EQP-KT is a classic Tube Equaliser with Switchable-Frequency Selection, Variable-Bandwidth and Custom-Built Midas Transformers.

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!