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Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal. .Click here to learn more about the various types of equalisers.

Released in 2000

Klark Teknik DN 3600 Programmable Equaliser

Designed to meet and exceed the needs of the recording, broadcast, installation and live sound industries, the Klark Teknik DN 3600 Programmable Graphic Equaliser is an extremely high quality, digitally controlled, two-channel, third-octave equaliser that combines state-of-the-art audio performance with unprecedented ease of use.
Klark Teknik DN3600
Released in 2000

Klark Teknik DN 300 Graphic Equaliser

The Klark Teknik DN 300 offers reliable audio performance with variable ‘Q’ topology, 30 bands, and swept high/low pass filters. It features an EQ in/out switch, level control, and improved fader resolution with 45mm oil-damped faders.
Klark Teknik DN 300
Released in 2001

GML Model 8200 Parametric Equaliser

Brought to you from the man who invented and coined the term “Parametric Equalisation”, the GML Model 8200 has been an industry standard for almost forty years and can be found on virtually every major recording studio’s stereo bus.
GML Model 8200
Released in 2002

TL Audio 5013 Dual Valve Equaliser

The TL Audio 5013 Dual Valve Equaliser without doubt possesses the finest combination of performance and affordability of any equaliser that we have yet produced.
TL Audio 5013
Released in 2002

Weiss EQ1 Dual 7 Band Digital Parametric Equaliser

The Weiss EQ1 is a seven-band stereo equaliser in a league of its own. It is no coincidence that it has been a staple at world-class mastering and mixing studios for decades.
Weiss EQ1
Released in 2002

Avalon Design AD2077 Mastering Equaliser

The Avalon Design AD2077 Mastering Equaliser is an altruistic design optimising absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path.
Avalon Design AD2077
Released in 2003

Alesis PEQ450 5-Band Parametric Equaliser

The Alesis PEQ450 is a 5-Band Parametric Equaliser and an incredible sound shaping tool in a two rack space unit.
Alesis PEQ450
Released in 2004

Alesis DEQ830 8 Channel Digital Graphic EQ

The Alesis DEQ830 8 Channel Digital Graphic EQ offered 8 channels of digital graphic equalisation in a single rack space.
Alesis DEQ830
Released in 2004

Alesis DEQ230 2 Channel Digital Graphic EQ

The Alesis DEQ230 2 Channel Digital Graphic EQ offers 30 bands of extremely graphic equalisation control in a single rack space.
Alesis DEQ230
Released in 2005

Langevin All-discrete Pultec EQP-1A

The Langevin All-discrete Pultec EQP-1A works the same way as the Manley unit but instead has an ALL-DISCRETE make-up gain amplifier with both balanced and unbalanced inputs and outputs– all completely transformerless.
Langevin All-discrete Pultec EQP-1A
Released in 2005

Empirical Labs Lil FreQ

The Empirical Labs Lil FreQ like most Empirical Labs products offers something unique among its peers, in this case 8 processor sections. As with ELI’s other signal processors, the Empirical Labs Big FreQ Equaliser takes a somewhat unique approach to its job.
Empirical Labs Lil FreQ
Released in 2005

GML Model 9500 Mastering Parametric Equaliser

The GML Model 9500 Mastering Parametric Equaliser is the Mastering Version of the GML Model 8200 Parametric Equaliser.
GML Model 9500
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