Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal. .Click here to learn more about the various types of equalisers.

Released in 1990
Manley’s modern take on the Pultec EQ – in stereo! – with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on drums, killer on guitars.
Released in 1990
The Manley Enhanced Pultec Equaliser is Manley’s modern take on the Pultec EQ with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on kick drum, killer on guitars.
Released in 1991
The TUBE-TECH PE 1C is a passive, all-tube EQ, based on the legendary PULTEC EQP 1A design and featuring a passive EQ section and a high-quality op amp.
Released in 1993
This single channel Manley Mid Frequency Equaliser is the secret weapon for vocal, guitar, snare and all the other midrange instruments that are the meat of the mix.
Released in 1995
Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the Drawmer 1961 Vacuum Tube Equaliser combines low noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalisation possessing unique ‘personality’.
Released in 1995
The D.W. Fearn VT-5 tube equaliser will change the way you think of EQ. It’s smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls.
Released in 1995
The D.W. Fearn VT-4 tube equaliser will change the way you think of EQ. It’s smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls.
Released in 1996
The Maselec MEA-2 is a stereo or 2-channel, four-band precision analogue equaliser with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.
Released in 1997
The Avalon AD2055 Pure Class A music equaliser is the most powerful, low noise parametric equaliser available today, or at least it was. Designed to optimise absolute signal integrity and musical performance.
Released in 1998
The Manley Massive Passive is one of the very few highly regarded equalisers ever made. There is the Pultec EQ, and then there is the Manley Massive Passive. Sure, it is a parametric EQ, but with a twist!
Released in 2000
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
Released in 2000
No other high-end equaliser can offer the same degree of power and flexibility as the TL Audio EQ-2.
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