Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal. .Click here to learn more about the various types of equalisers.

Released in 1951
First introduced in 1951, the Pultec EQP-1 Program Equaliser was the first passive equaliser on the market. Upon its introduction, it changed the recording world forever, offering a new way to manipulate sound. The fact that Pultec equalisers in one form or another are still in use today, is extraordinary.
Released in 1955
The Pultec MEQ-5 provides fine control over the “power region” (300 Hz to 5000 Hz), where most audio energy is focused and the ear is highly sensitive. Smooth handling of this range is crucial, as minor acoustic or equipment resonances can greatly affect sound clarity and listenability.
Released in 1961
The Pultec EQP-1A is a classic equaliser known for its warm, smooth sound, achieved through a unique design that allows simultaneous frequency boosting and cutting. Introduced in 1961, its tube-driven, passive circuitry adds depth and clarity, making it a favourite for enhancing bass and airy highs. Its “Pultec sound” remains a staple in studios for its natural, musical character.
Released in 1970
The Urei 565 Filter Set introduces to the recording studio and motion picture sound department an effective tool for ‘saving’ problem tracks, and for creating innovative special effects.
Released in 1971
The ITI MES-430 was the first commercially available parametric equaliser, a design once thought impossible to achieve, created by the brilliant George Massenburg.
Released in 1980
The 360 Systems Model 2800 Programmable Equaliser was a fairly unique product at the time of its release in 1980, with its tactile controls and programmability. Using a Z-80 microprocessor and CMOS memory storage, the 360 Systems Model 2800 Programmable Equaliser was able to store up to 28 user created EQ curves.
Released in 1984
The Ibanez MSP1000 is a versatile processor with a compressor/limiter, graphic EQ, and notch filter. It offers precise control, eliminating feedback and shaping sound without affecting quality.
Released in 1985
The Boss RGE-10 Graphic Equaliser from 1985 provides fine tonal compensation with 10-Band Graphic Equaliser.
Released in 1986
The Boss RPQ-10 Preamp Parametric EQ released in 1986, is A 2-band Parametric Equaliser that’s a key performer when creating sounds.
Released in 1986
The Sony MU-E311 was part of Sony’s complete range of professional audio products, matching the aesthetic, sound quality and build quality of the Sony MU-R201 stereo digital reverb.
Released in 1988
The Roland E-660 is a versatile two-channel digital equaliser with eight filters for precise sound adjustments, offering flexible configurations and intuitive controls, along with delay capabilities and extensive connectivity options.
Released in 1988
The Sony MU-E041 is a professional-grade parametric equaliser featuring four-band EQ with independent control, boost/cut level switch, and transformerless balanced input/output circuits.

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