Released in 1957

EMT 140 Plate Reverb

The EMT 140, introduced in 1957, was the world’s first artificial reverb unit and revolutionised recording by providing “reverb on tap.” Using a suspended metal plate, it delivered rich, natural reverberation, allowing even smaller studios without reverb chambers to create professional-quality ambience. Its warm, versatile sound quickly made it a studio essential.

Released in 1968

EMT 970 Sound Retardation System

The EMT 970 Audio Delay Unit is a professional-grade device designed to manipulate sound transmission times with precision and reliability. Engineered for studio and broadcast environments, it utilises advanced mechanical and electronic components to deliver consistent performance and versatile applications, including enhancing room acoustics, synchronising audio for broadcasts, and creating creative effects in music production. Its robust construction and innovative design make it a highly valued tool in professional audio workflows.

Released in 1971

EMT 240 Reverb Foil

In 1971 after huge success with the EMT 140, EMT delivered the EMT 240 Reverb Foil. The surface of the vibrating 0.02 mm gold foil measured only 30 X 30 cm. The foil was contained in a double enclosure affording very high isolation from airborne and solid-borne disturbances, sufficient to allow placement of the EMT 240 even in mobile units or – at a sound pressure level of 105 dB – next to monitor loudspeakers

Released in 1976

EMT 250 Digital Reverb

The EMT 250 Digital Reverb is completely electronic, with no moving parts: ruggedly built and insensitive to shock or vibrations…and a studio legend! Extremely versatile with many programming possibilities and adjustment of parameters. The EMT 250 Digital Reverb uses high-value digital words (12 bit, quasi 15 bit) to virtually eliminate intrinsic and quantising noise.

Released in 1980

EMT 251 Digital Reverberation System

The EMT 251 Digital Reverberation System, released in 1980 is a rather rare reverb unit, strangely less well known than the legendary EMT 250, which is replaces, regardless of its superior specification and functionality.

Released in 1980

EMT 244 Digital Reverb

The EMT 244 Digital Reverb, released in 1980, was a compact, affordable alternative to the EMT 250. Known for its simple design and high-quality 13-bit digital processing, it became a studio favourite for its natural, detailed reverb. Its legacy endures as a sought-after piece of vintage gear for its reliability and sound.

Released in 1982

EMT 245 Digital Reverb

The EMT 245 Digital Reverb, introduced in 1982 as a successor to the 244, offered enhanced features like adjustable pre-delay and early reflections in a compact, affordable design. Known for its dense and rich reverb tails, it provided a vintage yet precise sound, appealing to smaller studios and professionals alike.

Released in 1985

EMT 252 Digital Reverb

It’s no secret that the “EMT sound” is a key ingredient of many hit records. It’s been that way for over 25 years. The very first unit, the EMT 140, is still used by major studios. And the sound of their big digital units. the 250 and 251, is legendary. In 1985 EMT introduced the EMT 252, offering more features than the 250 and 251.

Released in 1986

EMT 246 Digital Reverb

The EMT 246 Digital Reverb, introduced in 1986, delivered exceptional sound quality with the renowned EMT 250 algorithms in a compact and affordable format. Succeeding the EMT 244 and 245, it offered advanced features for natural room simulation and creative effects.

Released in 1993

EMT 248 Digital Audio Processor

The EMT 248 Digital Audio Processor served as a versatile solution for handling audio signal processing, rendering individual sound effects and processing units obsolete. The front panel of the device features program modules that offer quick access to a range of functions.

Released in 1993

EMT 982 Professional CD Player

The EMT 982 CD Player is a professional-grade device designed for high performance and reliability. It offers front-loading, built-in loudspeaker and headphone outputs, separate controls for track and cue settings, auto cue functionality, varispeed with digital display, and memory for up to 100 CD cue settings. Its compact 2U design and advanced features make it ideal for professional use.