Classic Recording Studio Gear

Vintage Digital

Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analog-to-digital converters to create a convincing simulation of different acoustic spaces.

Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects.

Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments.

Click here to learn more about the evolution of reverb.

The Lexicon PCM 92 is quite likely the last high-end reverb/effects processor we are ever likely to see come out of Lexicon sadly…Whether you require perfection on stage or the gold standard in the recording studio, the Lexicon PCM92 delivers the versatility and smooth, rich sound that is unmistakably Lexicon.
The Tegeler Raumzeit Maschine creates a spatial tone that sounds very natural, transparent and clear on the one hand, but on the other hand it has a nice sound on its very own.
What do you do when an old reverb is still so popular after nearly 40 years? You update it and release it once again. The AMS RMX16 was the world’s first microprocessor-controlled, full-bandwidth digital reverberator and characterised an enormous number of seminal recordings from the 1980s onwards. Its designer’s love for music and experience in the aerospace industry meant it was way ahead of its time on release.