Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces. Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects. Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments.

Released in 2007

Lexicon PCM96 Digital Reverb

An artful blend of heritage and innovation, the Lexicon PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW. Appearing for the first time in the new Lexicon PCM 96 are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects.
Released in 2007

Bricasti Design M7 Stereo Reverb Processor

Bricasti Design came along in 2007 and unleashed one of the greatest sounding reverbs of all time, the Bricasti Design M7, a stunning digital reverb. The Bricasti Design M7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.
Released in 2008

Quantec 2492 Yardstick Digital Reverb

The Quantec 2492 Yardstick room simulators are high-quality, digital sound processing devices based on the original 1982 QRS Room Simulation algorithm. The Quantec 2492 Yardstick is a stereo device equipped with2 digital AES3 input channels and 2 digital AES3 output channels.
Released in 2009

Lexicon PCM92 Digital Reverb

The Lexicon PCM 92 is quite likely the last high-end reverb/effects processor we are ever likely to see come out of Lexicon sadly…Whether you require perfection on stage or the gold standard in the recording studio, the Lexicon PCM92 delivers the versatility and smooth, rich sound that is unmistakably Lexicon.
Released in 2018

Tegeler Raumzeit Maschine Tube Reverb

The Tegeler Raumzeit Maschine creates a spatial tone that sounds very natural, transparent and clear on the one hand, but on the other hand it has a nice sound on its very own.
Released in 2020

AMS/Neve AMS RMX16 Digital Reverb

What do you do when an old reverb is still so popular after nearly 40 years? You update it and release it once again. The AMS RMX16 was the world’s first microprocessor-controlled, full-bandwidth digital reverberator and characterised an enormous number of seminal recordings from the 1980s onwards. Its designer’s love for music and experience in the aerospace industry meant it was way ahead of its time on release.