Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces. Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects. Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments.

Released in 2000

Zoom RFX-1000 Digital Reverb & Multi Effects

The Zoom RFX-1000 offers professional reverb, versatile effects like VOCODER and LO-FI, and creative options like RESONANCE and RING MODULATOR. It includes specialised mixdown effects for polished recordings, and its MIC IN with Mic Simulator enhances vocals and mimics high-end microphones.
Released in 2000

Yamaha SREV1 Sampling Reverberator

Reminiscent of their own REV1, the SREV1 was Yamaha once again going all out to take on the big brands, namely Lexicon in the studio reverb space. The Yamaha SRev1 is perfect for recording studios, audio post, broadcast, concert halls, theaters, or anyone looking for superb quality reverb that sounds just like the real thing, with the option to sample the reverberation characteristics of any location for use back in the studio.
Released in 2002

Kurzweil KSP8 Multi-Bus Signal Processor

From the creators of the finest synthesisers in the world comes the world’s most powerful effects processor, The Kurzweil KSP8 is winner of the 2003 Electronic Musician Editors Choice Award for Best Effects Processor Over $1000.
Released in 2003

Kurzweil Rumour Reverb

Kurzweil Rumour is based on the effects found in the KSP8, Kurzweil’s flagship multichannel effects processor, and offer easy-to-use effect presets for any environment. Both models are single rack space units featuring 192 effects presets, 64 locations for user-created presets, balanced stereo analogue inputs and outputs, S/PDIF digital I/O, and pre-effect EQ.
Released in 2003

Yamaha SPX2000 Professional Multi-Effect Processor

The Yamaha SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing.
Released in 2003

Eventide Reverb 2016 Digital Reverb

The Eventide Reverb 2016 released in 2003, recreates the legendary reverb algorithms of the original Eventide SP2016, albeit with 24-bit clarity.  Every aspect of the original Eventide 2016’s effects has been duplicated in this newer Eventide 2016, including every detail of the user parameters.
Released in 2003

TC Electronic Reverb 4000 Digital Reverb

TC Electronic Reverb 4000 is a single-engine stereo version of Reverb 6000, featuring the best reverbs and presets from Reverb 6000 and M5000 as well as emulations of numerous classics. True Stereo Reverbs – Ported from Reverb 6000. Realistic Environments – from a Closet to a Canyon. DAW Integration – via innovative ICON Software
Released in 2005

Lexicon MX200 Stereo Reverb/Effects Processor

Whether you’re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the Lexicon MX200.
Released in 2005

Zoom RFX-1100 Digital Reverb & Multi Effects

The Zoom RFX-1100 is a versatile digital reverb and multi-effect processor offering 33 effects, professional-quality reverb, innovative sound options, and easy-to-use controls for quick sound adjustments.
Released in 2006

Lexicon MX400 4-in/4-out Reverb/Effects Processor

You want the rich, luscious sound that’s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Released in 2006

Lexicon MX400XL 4-in/4-out Reverb/Effects Processor

You want the rich, luscious sound that’s defined studio reverb for three decades: then you need a genuine Lexicon hardware processor like the MX400XL. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Released in 2007

Lexicon MX300 Stereo Reverb/Effects Processor

The Lexicon MX300 is designed to be ultra-easy-to use in demanding live sound situations, as well as in the studio environment. Lexicon’s revolutionary MX200 and MX400 changed everything. The great sound of a hardware Lexicon reverb — plus the ability to put that power to work as part of your DAW workflow via plug-ins (32-bit only).