Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces.

Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects.

Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments. Click here to learn more about the evolution of reverb.

Released in 2002
From the creators of the finest synthesisers in the world comes the world’s most powerful effects processor, The Kurzweil KSP8 is winner of the 2003 Electronic Musician Editors Choice Award for Best Effects Processor Over $1000.
Released in 2003
Kurzweil Rumour is based on the effects found in the KSP8, Kurzweil’s flagship multichannel effects processor, and offer easy-to-use effect presets for any environment. Both models are single rack space units featuring 192 effects presets, 64 locations for user-created presets, balanced stereo analogue inputs and outputs, S/PDIF digital I/O, and pre-effect EQ.
Released in 2003
The Yamaha SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing.
Released in 2003
The Eventide Reverb 2016 released in 2003, recreates the legendary reverb algorithms of the original Eventide SP2016, albeit with 24-bit clarity.  Every aspect of the original Eventide 2016’s effects has been duplicated in this newer Eventide 2016, including every detail of the user parameters.
Released in 2003
TC Electronic Reverb 4000 is a single-engine stereo version of Reverb 6000, featuring the best reverbs and presets from Reverb 6000 and M5000 as well as emulations of numerous classics. True Stereo Reverbs – Ported from Reverb 6000. Realistic Environments – from a Closet to a Canyon. DAW Integration – via innovative ICON Software
Released in 2005
Whether you’re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the Lexicon MX200.
Released in 2005
The Zoom RFX-1100 is a versatile digital reverb and multi-effect processor offering 33 effects, professional-quality reverb, innovative sound options, and easy-to-use controls for quick sound adjustments.
Released in 2006
You want the rich, luscious sound that’s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Released in 2006
You want the rich, luscious sound that’s defined studio reverb for three decades: then you need a genuine Lexicon hardware processor like the MX400XL. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Released in 2007
The Lexicon MX300 is designed to be ultra-easy-to use in demanding live sound situations, as well as in the studio environment. Lexicon’s revolutionary MX200 and MX400 changed everything. The great sound of a hardware Lexicon reverb — plus the ability to put that power to work as part of your DAW workflow via plug-ins (32-bit only).
Released in 2007
An artful blend of heritage and innovation, the Lexicon PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW. Appearing for the first time in the new Lexicon PCM 96 are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects.
Released in 2007
Bricasti Design came along in 2007 and unleashed one of the greatest sounding reverbs of all time, the Bricasti Design M7, a stunning digital reverb. The Bricasti Design M7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!