Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces.

Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects.

Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments. Click here to learn more about the evolution of reverb.

Released in 1996
The Alesis Microverb 4 brought full bandwidth 18 bit effects processing to the masses at an incredibly low price, with limited editing and a mass of presets. While not as flexible as Alesis’s other models, such as the Quadraverb, the Alesis Microverb 4 offered good value for money a range of effects for the home recording musician.
Released in 1997
The Quantec 2402/F Yardstick room simulators are high-quality, digital sound processing devices based on the original 1982 QRS Room Simulation algorithm. More information is needed, if you can help please contact us.
Released in 1997
The Lexicon PCM 91 gives you Lexicon’s renowned high-end reverb effects with a powerful new interface that provides easy access to superbly crafted presets as well as a wealth of programming capabilities for the sound designer. The Lexicon PCM 91 contains a built-in library of 450 reverb effects that simulate realistic halls, rooms and plates, and let you create completely natural, or other-worldly spaces.
Released in 1997
The Lexicon PCM 90 gives you Lexicon’s renowned high-end reverb effects with a powerful new interface that provides easy access to superbly crafted presets as well as a wealth of programming capabilities for the sound designer. The Lexicon PCM 90 contains a built-in library of 250 reverb effects that simulate realistic halls, rooms and plates, and let you create completely natural, or other-worldly spaces.
Released in 1997
The Lexicon 300L not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates new functions. The Lexicon 300L contains the very best of the Lexicon Sound – with new refinements such as dynamic size parameters in the Reverb and Ambience algorithms.
Released in 1997
The Zoom Studio 1201 is a digital reverb and multi-effects processor with 363 presets and high-quality specs, including 44.1 kHz sampling and 18-bit converters. It’s ideal for creating dynamic tracks with effects like Lo-Fi and KARAOKE.
Released in 1998
The TC Electronic M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. The VSS3-reverb technology inherent in the TC Electronic M3000 is an industry standard.
Released in 1999
After the lacklustre DPS-V55, Sony had one last shot at the studio effects market, and they went out on a high with the spectacular DRE-S777 Sampling Reverb. The Sony DRE-S777 was a new type of reverb, one that used real impulse responses to capture real space, rather than the traditional method from the past of trying to emulate a real space.
Released in 1999
With all that Roland had learned from making superb effects processors like the SRV-330 and R-880, the SRV-3030 should have been so much better than it was.
Released in 2000
Lexicon 960L, was the last of the big reverbs from Lexicon and was a configurable Stereo/Surround Reverb Processor and Flying Fader Remote. (LARC) For nearly thirty years, the world’s most accomplished engineers and producers have relied upon Lexicon for their most critical music and sound productions, and the Lexicon 960L was a powerhouse.
Released in 2000
The Zoom RFX-1000 offers professional reverb, versatile effects like VOCODER and LO-FI, and creative options like RESONANCE and RING MODULATOR. It includes specialised mixdown effects for polished recordings, and its MIC IN with Mic Simulator enhances vocals and mimics high-end microphones.
Released in 2000
Reminiscent of their own REV1, the SREV1 was Yamaha once again going all out to take on the big brands, namely Lexicon in the studio reverb space. The Yamaha SRev1 is perfect for recording studios, audio post, broadcast, concert halls, theaters, or anyone looking for superb quality reverb that sounds just like the real thing, with the option to sample the reverberation characteristics of any location for use back in the studio.

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