Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces.

Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects.

Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments. Click here to learn more about the evolution of reverb.

Released in 1990
The Dynacord DRP-15 provides numerous varying effects in 100 pre-set programs and 126 freely programmable memory locations. A maximum of six effects can be used in the multi-effects structures at one time.
Released in 1990
The Alesis Midiverb III is a high quality multi-effects unit which features up to 4 simultaneous effects at a full 15KHz bandwidth and with 16 bit resolution. Since all features of Alesis Midiverb III are accessible from the front panel, the operator can set up a wide range of complex effects without a complex user interface.
Released in 1991
The Sony DPS-R7 was the first in a new digital effects line up from Sony, its success spawned a number of other effects using the same architecture as the DPS-R7. The Sony DPS-R7 is an excellent digital reverb that still stands up today, with its full bandwidth and excellent reverb algorithms, it is hampered only by its truly awful interface if you wish to program it.
Released in 1992
RSP Technologies are better known as Rocktron, but for a short time they produced the RSP Technologies brand, aimed more at studios. The RSP Technologies Intelliverb was something of a sleeper, but from all reports it is a very good reverb, and their current prices would support that.
Released in 1993
Taking what they had learned with the R-880, Roland developed a new SRV reverb, the Roland SRV-330 and it is one of Roland’s finest digital reverbs. The Roland SRV-330 is a fantastic reverb that offers a broad range of reverbs, from real space emulations to retro gear emulations, and they all sound fantastic with smooth tails and low noise.
Released in 1994
The Yamaha REV100 was one of Yamaha’s most affordable digital reverbs and it offers reasonable quality for the money too. Reverb is the essential effect for musical instruments, recording, and sound reinforcement. Delay and modulation run a close second and third. The Yamaha REV100 offered all this and is most suitable for live rigs.
Released in 1995
In the year of 1995, after years in the analogue world, dbx decided to jump into the world of digital effects, kicking it off with the dbx Model 290 Digital Reverb, a single rack size digital reverb designed to be easy to use.
Released in 1995
Having done all they could with the DPS series, Sony only had one place left go, and that was to combine all four DPS effects into a single processor. The Sony DPS-V77 was born! In creating the Sony DPS-V77, Sony unleashed a ‘Best of Sony’ in terms of not only the effects on offer by combining all the best DPS Series effects, but also the sonic performance of the internals too.
Released in 1995
The Lexicon PCM 80 brings you exciting new effects with extensive processing and control capabilities, and uncompromising sonic clarity. The Lexicon PCM 80 contains a built-in library of 200 preset programs that provide a comprehensive array of effects ranging from beautiful and lush to completely wild.
Released in 1995
The Yamaha ProR3 marks a new era in Yamaha’s reverberation technology. Third-generation Yamaha digital signal processors (DSP) with 32 bit digital signal processing and high-performance 20 bit linear A/D and D/A converters provide unprecedented density and resolution, with breathtaking dynamics.
Released in 1995
The Alesis MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects.
Released in 1996
Digitally reproducing the complex reflection patterns of natural reverberation is a daunting task that can only be effectively handled by custom LSI circuitry. Yamaha was a pioneer in the field of DSP (Digital Signal Processor) LSI production, and continues to lead the way in products such as the Yamaha REV500.

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