Digital Reverb

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces.

Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects.

Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments. Click here to learn more about the evolution of reverb.

Released in 1987
The Yamaha Rev5 was a digital effects marvel upon release. It skillfully emulated natural and plate reverberations, granting precise control and superior sound quality. With a 44.1 kHz sampling frequency, it delivered clear, transparent sound across the 20 Hz to 20 kHz spectrum. This was groundbreaking in its time.
Released in 1987
The Korg DRV-3000 is designed and constructed to professional specifications and incorporates sophisticated state-of-the-art LSI technology to create a wide variety of superb effects.  The Korg DRV-3000 can be used in virtually any music situation where high-performance sound processing is required and is particularly suited to MIDI applications.
Released in 1987
The Korg DRV-2000 Digital Reverb is a creative digital reverb that responds like a musical instrument – because it responds to the way you play. The Korg DRV-2000. Much more than a professional 24-bit digital reverberation unit. Much more than a MIDI compatible multi-effects unit, featuring 16 programs like Gate Reverb, Stereo Echo, Flanger, Space Pan, and dual effects programs like Reverb and Echo and Reverb and Chorus.
Released in 1988
For anyone holding out on buying the original Alesis Midiverb, the Alesis Midiverb II was enough to convince them it was time to jump on board, including Tommy Emmanuel.
Released in 1988
The Alesis Microverb represents a clear breakthrough in signal processing technology, utilising the Alesis R.I.S.C architecture. The Alesis Microverb provides clean quiet: professional digital reverberation with the cost and simplicity of spring units. The entire digital processing system is contained on a single chip, developed by Alesis.
Released in 1988
For many engineers, the Lexicon 480L is the pinnacle of digital reverbs and has never been bettered, not by Lexicon or anyone else. The Lexicon 480L came along in 1988 and has remained in place at most studio around the world as it simply cannot be replaced by a plugin according to those who own them and love them.
Released in 1988
BY 1988 Alesis were on a roll, and with the release of the Alesis Quadraverb, they took things to the next level and continued to dominate the market for home recording. The Alesis Qudraverb’s party trick of course, was that it could use up to four different effects, reverb, delay, pitch and equaliser, simultaneously. And it did so with 20k bandwidth!
Released in 1988
Akai could have gone down the path of trying to compete in the lower end of the multi-effects market with the likes of Alesis, but instead aimed to produce a high quality dedicated reverb, with the Akai AR900 being the end result.
Released in 1989
The Alesis Microverb II represents a clear breakthrough in signal processing technology. Utilising the Alesis R.I.S.C. (Reduced Instruction Set Computer) architecture. The Alesis Microverb II provides clean, quiet, professional digital reverberation with the cost and simplicity of spring units, in a highly compact enclosure.
Released in 1989
The Lexicon M300 not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates new functions that satisfy the needs of today’s audio production. For both analogue and digital use the Lexicon 300 takes full advantage of recent advances in converter technology and combines them with flexible digital interfacing.
Released in 1989
In 1989 Roland decided it was time to take on the big names in studio reverbs, and they released their best reverb to date, the Roland R-880. As good as the Roland R-880 was, and is, it failed to take any market share away from the big names like Lexicon, but it did find a home in some studios and those people love the Roland R-880.
Released in 1989
The Dynacord DRP 20 Digital Reverb Processor is without a doubt the most popular digital reverb in the Dynacord range from the 80s period. We have very little information on the Dynacord DRP 20 other than the information below which was translated from a German document. If you have anything in English on this processor, please let us know.

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