Digital Delay

Digital delay, also known as digital echo, is an audio effect used in recording studios to create a repeat of a sound source at a specific time interval. The first digital delay units were developed in the 1970s, using a combination of digital signal processing and analogue-to-digital converters to create a delay effect. These early digital delay units were typically rack-mounted and used complex algorithms to create delay effects.

In the 1980s, advances in digital processing technology led to the development of more sophisticated digital delay units, which allowed for greater control over the delay time and feedback levels. These newer digital delay units often featured programmable delay times and feedback levels, making them highly versatile and capable of producing a wide range of delay effects.

Over time, digital delay technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital delay is an essential tool in the recording industry, and a wide range of software and hardware delay units are available to suit different recording needs and budgets. Digital delay is used in a wide range of musical genres, from rock and pop to electronic music, and is often used creatively to add depth, space, and movement to recordings.

Released in 1983
The Roland SDE-3000 was a natural progression from the earlier SDE-2000 and offered better sound quality through increased bandwidth among other improvements. The Roland SDE-3000 is a high-quality Delay Machine featuring various delay effects and also the Memory function that retains up to eight different panel settings, therefore, it is extremely helpful for both studio and live performance.
Released in 1983
The Deltalab Effectron II boasted top-notch digital effects that delivered a natural sound, all at incredibly affordable prices. It was a technological breakthrough that stood unmatched by any other at the time. Finally, you could own a high-performance digital delay without breaking the bank!
Released in 1983
The Yamaha YDD-2600 is a digital time delay system for use in a variety of applications from sound reinforcement to film/video production, recording and disc mastering. The system uses advanced LSI technology to maintain wide bandwidth, Iow distortion and low noise for completely natural sound; there is virtually no difference between the input and output, other than an offset in time.
Released in 1983
The Roland SDE-1000 represented Roland’s entry into the affordable Digital Delay market, and it brought quality effects for all of us. The Roland SDE-1000 Digital Delay is a high quality 12-bit digital delay machine with various attractive features including chorusing.
Released in 1983
The Boss DE-200 offered users a very affordable entry into digital delays, even more affordable than the Roland product of that time which was already well priced. The Boss DE-200 and its siblings were an exercise in simplicity, with a front panel that was as clean as it was practical, making it very easy for newcomers to get around.
Released in 1983
The Ibanez DM500 is a versatile digital delay unit with 0.5ms to 256ms delay times and a full 16KHz bandwidth. It offers modulation for swept effects, feedback control, and stereo outputs, delivering professional-quality delay at an affordable price.
Released in 1983
The Ibanez HD1000 Harmonics Delay combines high-quality pitch shifting up to 13 semitones with digital delay up to 504 ms, perfect for creating harmonies, flanging, and echo effects. It offers precise control over pitch, delay, and mix, with external control options and an easy-to-read LCD display, all in a compact, user-friendly design aimed at professional audio applications.
Released in 1983
The Ibanez DM2000 is a high-performance digital delay with a 12-bit data converter and 16KHz bandwidth for clear effects. It features versatile inputs, easy controls, and is ideal for time delay effects like flanging and reverb.
Released in 1984
The Dynacord PDD 14 released in 1984, is a studio-grade, programmable Digital Delay designed and manufactured in Germany. Up to eight different sounds can be programmed into the non-volatile memory and accessed directly. There is also the possibility to alter the stored programs without altering the memory contents.
Released in 1985
The Boss RDD-10 Digital Delay released in 1985, delivered studio quality digital delay for the ultimate refinement of basic performance.
Released in 1985
The Boss RSD-10 Digital Sampler Delay, released in 1985 offers a two octave plus range and controllable dynamics.
Released in 1985
The Ursa Major MSP-126 is a stereo tapped delay digital delay line with a 20kHz bandwidth, eight pre-programmed processing modes and more. The Ursa Major MSP-126 is a signal processor that creates a whole range of interesting effects inlcuding great balanced stereo with flat response from any kind of program material.
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