Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2013
The Chandler Limited Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd.
Released in 2013
The Cartec Audio THC (Tone Harmonic Compressor) is a two-channel hybrid compressor that employs eight tubes and four discrete amplifiers to achieve a unique level of control over dynamic range, harmonic distortion content, and tonal balance.
Released in 2013
Gyraf Audio G22 is an elaborated and dual’ified version of our venerable G10 vari-mu compressor. This incarnation allows it to be dual-mono, while still keeping a backwards-compatibility “G10 mode” where one set of knobs controls real stereo compression, like you’d want most of the time in mastering.
Released in 2014
The Chiswick Reach 20th Anniversary Edition Stereo Valve Compressor is all transformer coupled, all valve signal path topology, operating in true balanced class A mode. All hand wired – no PCB, valve rectification, includes sidechain modification with hi-pass filter and illuminated meters by SIFAM.
Released in 2014
With its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The Compressor from Dangerous Music is today’s most intelligent analogue compressor, and a true modern classic.
Released in 2014
“The IGS Tubecore is the finest mastering compressor ever created and it adds density and dimension to your mix in a magical way.”
Released in 2014
The IGS V8 Compressor is a fully discrete path with transformers and transistors only offering smooth and gentle compression.
Released in 2014
The award winning Drawmer 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price.
Released in 2014
The element responsible for the gain reduction in the WesAudio Beta76 FET Compressor/Limiter is an FET transistor, giving the effect of rapid and pure compression.
Released in 2014
The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. It offers wide 3-band level control combined with individual compression for each band, delivering exceptional results on the main mix bus, drum buses, instrument groups, and individual tracks.
Released in 2014
The SCL2 is a highly sophisticated and flexible dynamics processor designed for easy operation and great tone.
Released in 2014
The IGS Zolfram Limiter is a dual mono version of the legendary 1176 limiter, used on thousands of recordings around the world.

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