Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2008
For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.
Released in 2008
The Requisite L2M Mastering Limiter MkIII is a high-end analogue hardware limiter designed for mastering engineers and is known for its transparent sound and precise control over dynamics.
Released in 2008
The Requisite PAL Preamplifier and Limiter is now in its Mk III version but retains all the goodness of previous version with some sonic improvements.
Released in 2008
Valve compression is now universally recognised as one of the essential tools for today’s recording engineer.
Released in 2008
The Elysia Alpha Compressor has earned its status as a contemporary masterpiece, solidifying its position as a potent instrument for professional dynamic manipulation since its debut in 2008.
Released in 2008
Shadow Hills Industries (to use their full name) is a company that produces and sells one of the finest compressors ever made, a true modern classic by any standard. The fact anyone knows about the Shadow Hills brand at all is amazing, given that their website is so out of date and inaccessible to most people, but despite that, this compressor has become legendary.
Released in 2008
The Tegeler Magnetismus 2 is designed for processing drums and other transient-rich signals such as acoustic guitars.
Released in 2009
The TUBE-TECH CL 2A is an all-tube optical compressor featuring two independent, linkable channels. Renowned for its versatility, the CL 2A delivers exceptional results on all audio sources and is highly regarded as a reliable “problem solver” for precise and delicate gain control applications.
Released in 2009
Designed in 1969, the original Neve® 2254 mono Limiter/Compressor unit quickly became a legend. Forty years on, the 2254’s successor, the Neve 2254/R mono limiter/compressor represents another milestone.
Released in 2010
The Drawmer S3 Stereo Three Band Tube Compressor incorporates the very latest in Ivor Drawmer designs and the aim from the very beginning was to create a ‘no technical compromise’ circuit using only the highest-grade components.
Released in 2010
The Al.So Hellax is a mono optical compressor/limiter offering a very low distortion rate with side-chain filters and blend feature, and is 100% made in France.
Released in 2010
The Drawmer S2 Signature Series Dual Channel Tube Compressor is the latest product to emerge from Ivor Drawmer’s high end designs and offers an ‘all tube – no technical compromise’ circuit using only the highest-grade components.

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