Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2008
The Elysia Alpha Compressor has earned its status as a contemporary masterpiece, solidifying its position as a potent instrument for professional dynamic manipulation since its debut in 2008.
Released in 2008
Shadow Hills Industries (to use their full name) is a company that produces and sells one of the finest compressors ever made, a true modern classic by any standard. The fact anyone knows about the Shadow Hills brand at all is amazing, given that their website is so out of date and inaccessible to most people, but despite that, this compressor has become legendary.
Released in 2008
The Tegeler Magnetismus 2 is designed for processing drums and other transient-rich signals such as acoustic guitars.
Released in 2009
Designed in 1969, the original Neve® 2254 mono Limiter/Compressor unit quickly became a legend. Forty years on, the 2254’s successor, the Neve 2254/R mono limiter/compressor represents another milestone.
Released in 2010
The Drawmer S3 Stereo Three Band Tube Compressor incorporates the very latest in Ivor Drawmer designs and the aim from the very beginning was to create a ‘no technical compromise’ circuit using only the highest-grade components.
Released in 2010
The Al.So Hellax is a mono optical compressor/limiter offering a very low distortion rate with side-chain filters and blend feature, and is 100% made in France.
Released in 2010
The Drawmer S2 Signature Series Dual Channel Tube Compressor is the latest product to emerge from Ivor Drawmer’s high end designs and offers an ‘all tube – no technical compromise’ circuit using only the highest-grade components.
Released in 2010
The Shadow Hills Dual Vandergraph continues the legacy of the acclaimed Shadow Hills Mastering Compressor, renowned for its unparalleled quality and exceptional performance.
Released in 2011
The dbx160SL is a 2U stereo Compressor/Limiter in the tradition of the industry standard dbx160. The signal path consists of a high precision input stage followed by the worlds widest dynamic range voltage-controlled amplifier – the dbx V8™ VCA – and then an output stage with phenomenal performance.
Released in 2011
The AnaMod 670 Stereo Limiter offers Classic Variable-Mu compression profile and vintage tone with three modes of compression and limiting, with six original 670 time constants plus two new variations.
Released in 2012
The Crane Song Titan is an analog compressor-limiter with a very large range of color and control choices that has reset-ability
Released in 2013
The Chandler Limited Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd.

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