Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2003

Manley SLAM Stereo Limiter & Microphone Preamplifier

Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in and get it LOUD.
Released in 2003

Universal Audio 6176 Vintage Channel Strip

The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.
Released in 2003

Chandler Limited TG1 Limiter

The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them.
Released in 2003

GML Model 2030 Mastering Dynamic Range Controller

The GML Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.
Released in 2004

Alesis CLX-440 Compressor Limiter Expander Gate

The Alesis CLX-440 is a powerhouse dynamics processor featuring a Compressor, Limiter, Expander and Gate in a two unit rack mount.
Released in 2004

dbx 162SL Compressor/Limiter

The striking front panel, machined from 1/4″ aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, mark the dbx 162SL as a leader for decades to come. Or so it seemed…
Released in 2004

TL Audio 5060 Tube Compressor

The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs.
Released in 2005

Electro-Harmonix NY-2A Stereo Compressor

The Electro-Harmonix NY-2A is a professional compressor that was designed to meet the demanding requirements necessary to attain the highest level of audio quality for recording and professional mastering.
Released in 2005

SSL Buss Compressor

This is the 1U rack mounting version of the SSL G Series console master bus compressor, utilising the classic SSL G Series centre compressor design elements within a Super Analogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.
Released in 2005

Universal Audio 1176LN Limiting Amplifier

Universal Audio 1176LN limiting amplifier is a legendary FET compressor with tone and attitude that is true to the original EREI model released many years before it.
Released in 2006

Dramastic Audio Obsidian Stereo Compressor

Inspired by some of the most popular compressors in the world, the Dramastic Audio Obsidian is a stereo feed-forward VCA style compressor designed with the recording, mixing, and mastering engineer in mind.
Released in 2006

Retro STA-LEVEL Tube Compressor

The Retro STA-LEVEL is a recreation of the legendary 1956 Gates Sta-Level tube compressor, first introduced way back in 1956.