Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2005
This is the 1U rack mounting version of the SSL G Series console master bus compressor, utilising the classic SSL G Series centre compressor design elements within a Super Analogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.
Released in 2005
Universal Audio 1176LN limiting amplifier is a legendary FET compressor with tone and attitude that is true to the original EREI model released many years before it.
Released in 2006
Inspired by some of the most popular compressors in the world, the Dramastic Audio Obsidian is a stereo feed-forward VCA style compressor designed with the recording, mixing, and mastering engineer in mind.
Released in 2006
The Retro STA-LEVEL is a recreation of the legendary 1956 Gates Sta-Level tube compressor, first introduced way back in 1956.
Released in 2006
Tegeler Vari-Tube Compressor is a Vari Tube Compressor for Mastering and/or Bus Compressor duties.
Released in 2007
The Al.So Dynax 2 is a stereo optical compressor/limiter offering a very low distortion rate with unique “AntiDyna” feature, and is 100% made in France.
Released in 2007
The Also Dynax M is a mastering grade stereo optical compressor/limiter offering a very low distortion rate and 7 side-chain filters and it is 100% made in France.
Released in 2007
The Chandler Limited Germanium Compressor features a class A amp, transformer-balanced I/O, and an FET gain reduction element. It offers flexible controls, including a Wet/Dry mix, adjustable Comp Curve, Clean/Dirty compression switch, and a sidechain filter. Crafted through real studio testing, it’s designed for musicality and is well-suited for tracking, mixing, and mastering.
Released in 2008
For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.
Released in 2008
The Requisite L2M Mastering Limiter MkIII is a high-end analogue hardware limiter designed for mastering engineers and is known for its transparent sound and precise control over dynamics.
Released in 2008
The Requisite PAL Preamplifier and Limiter is now in its Mk III version but retains all the goodness of previous version with some sonic improvements.
Released in 2008
Valve compression is now universally recognised as one of the essential tools for today’s recording engineer.

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