Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 1999
The Focusrite Compounder is a high-performance dual mono compressor, limiter, and gate, tailored for audio professionals and project studio owners seeking top-tier quality.
Released in 2000
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
Released in 2000
The Klark Teknik DN 504 is a 1RU unit with four compressors, hard/soft knee options, auto/manual controls, and stereo linking. Ideal for in-ear monitoring, it includes gain reduction and output level metering.
Released in 2001
The Maselec MLA-4 is a multiband Compressor / Expander developed from the popular MLA-3 with added expander functions for all frequencies.
Released in 2001
The Empirical Labs FATSO is one of those effects that until you use one, you really do not fully understand just how useful it truly is, and it is one truly useful box of tricks it has to be said!
Released in 2001
The Focusrite Penta packs every dynamics processor you could ever need into a compact 2U rack-mountable unit, making it a standout addition to your recording setup and one of the best investments you’ll ever make.
Released in 2002
The Avalon Design AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements.
Released in 2003
Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in and get it LOUD.
Released in 2003
The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.
Released in 2003
The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them.
Released in 2003
The GML Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.
Released in 2004
The Alesis CLX-440 is a powerhouse dynamics processor featuring a Compressor, Limiter, Expander and Gate in a two unit rack mount.

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