Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2001
The Maselec MLA-4 is a multiband Compressor / Expander developed from the popular MLA-3 with added expander functions for all frequencies.
Released in 2001
The Empirical Labs FATSO is one of those effects that until you use one, you really do not fully understand just how useful it truly is, and it is one truly useful box of tricks it has to be said!
Released in 2001
The Focusrite Penta packs every dynamics processor you could ever need into a compact 2U rack-mountable unit, making it a standout addition to your recording setup and one of the best investments you’ll ever make.
Released in 2002
The Avalon Design AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements.
Released in 2003
Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in and get it LOUD.
Released in 2003
The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.
Released in 2003
The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them.
Released in 2003
The GML Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.
Released in 2004
The Alesis CLX-440 is a powerhouse dynamics processor featuring a Compressor, Limiter, Expander and Gate in a two unit rack mount.
Released in 2004
The striking front panel, machined from 1/4″ aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, mark the dbx 162SL as a leader for decades to come. Or so it seemed…
Released in 2004
The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs.
Released in 2005
The Electro-Harmonix NY-2A is a professional compressor that was designed to meet the demanding requirements necessary to attain the highest level of audio quality for recording and professional mastering.

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