Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 1996
The Empirical Labs Distressor is the product that started it all for Empirical Labs and has become a studio standard the world over. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain, the Empirical Labs Distressor incorporates his favourite sonic characteristics of these, along with other and interesting features.
Released in 1997
The DigiTech VCS-1 is a high-performance dynamics controller for recording and live use, featuring a vacuum tube stage, advanced solid-state compression, and “True Logarithmic Compression” for a natural sound. Built with premium components, it ensures clean audio, stability, and long-term reliability after rigorous testing.
Released in 1998
Crane Song Trakker is a high-quality Single Channel Discrete Class A Compressor-Limiter.
Released in 1998
With innovative, state-of-the-art engineering, the dbx 576 Vacuum Tube Preamp/Compressor carries the dbx heritage into the vacuum tube arena.
Released in 1998
The inclusion of 2 vacuum tubes makes the dbx 566 Vacuum Tube Compressor no ordinary compressor.
Released in 1998
The dbx DDP offers you the processing power of digital, with the great sounds you know and want from the analogue world. Plus, with digital technology, we can offer you more precise control and extended parameters than you could ever have with analogue processing.
Released in 1998
GML Model 8900 Dynamic Range Controller, twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other.
Released in 1999
The TL Audio C-1 compressor maintains its position as the most flexible, polished sounding high end compressor on the market today.
Released in 1999
The Maselec MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
Released in 1999
The Focusrite Compounder is a high-performance dual mono compressor, limiter, and gate, tailored for audio professionals and project studio owners seeking top-tier quality.
Released in 2000
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
Released in 2000
The Klark Teknik DN 504 is a 1RU unit with four compressors, hard/soft knee options, auto/manual controls, and stereo linking. Ideal for in-ear monitoring, it includes gain reduction and output level metering.

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