Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 1977
The Urei LA-4 Compressor/Limiter can reduce the dynamic range of an audio signal, making it more consistent and balanced. The Urei LA-4 Compressor/Limiter can also limit the maximum level of the signal, preventing distortion and clipping.
Released in 1978
The dbx 162 compressor/limiter is one of the most iconic studio compressor/limiters to have ever graced a studio. The dbx 162 compressor/limiter is a stereo device using true rms level detection circuitry tor signal sensing and sophisticated voltage-controlled amplifiers as the gain control elements.
Released in 1979
The Urei 1178 compressor was introduced in 1979 by Universal Audio. It became a popular choice in recording studios during the late 1970s and throughout the 1980s, and it remains a sought-after vintage piece of audio equipment today.
Released in 1979
The dbx 163 and dbx 164 compressor/ limiters feature dbx’s Over Easy compression. Over Easy refers to a “soft knee” compression characteristic that provides virtually inaudible gain control at ratios up to infinite compression.
Released in 1980
The dbx 165 is a professional single channel compressor/limiter that features the new dbx Over Easy compression curve. The dbx Over Easy compression curve permits extremely smooth, almost inaudible compression due to the gradual change of compression ratio around the threshold, instead of the customary sharp threshold.
Released in 1982
The Valley People 610 Dual Compressor/Expander is a versatile, high-quality dynamics processor offering dual-channel compression, expansion, and various advanced features for professional audio applications.
Released in 1982
The dbx 165A is a professional single channel compressor/limiter that features the new dbx Over Easy compression curve. The dbx Over Easy compression curve permits extremely smooth, almost inaudible compression due to the gradual change of compression ratio around the threshold, instead of the customary sharp threshold.
Released in 1982
The dbx 160X replaced the now legendary dbx 160 (VU) and added the over easy compression of the dbx 165 and changed the form factor from the half rack size with wood side panels, to a single rack chassis.
Released in 1985
The Boss RCL-10 Compressor Limiter from 1985 provides four different high-performance functions integrated into a single unit.
Released in 1987
The Sony MU-L021 is a professional stereo compressor limiter designed for use in studios. It features a built-in noise gate, transformerless balanced circuits, and variable control of key parameters. It is rack mountable and ideal for professional applications.
Released in 1989
Since its introduction, the Alesis 3630 Compressor has become the most popular dynamics processor ever made. Despite what the official Alesis marketing department say about the Alesis 3630 Compressor below, it is not the holy grail of compressors, regardless of the fact it has become something of a cult classic among many musicians.
Released in 1991
The dbx 163X Compressor/Limiter provides smooth, natural-sounding OverEasy® compression with easy, hands-on control, versatile inputs for recording and live use, and features like stereo-strapping for balanced stereo compression, making it ideal for enhancing instrument and vocal levels while preventing PA overload.

Just a Quick

Question?

Can you tell us quickly what it is you love about Vintage Digital, and what it is you would like to see more of on the site? Is there anything you think we should add?
Let us know!