Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2016

Manley Nu Mu Stereo Limiter Compressor

The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu® with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path.
Released in 2016

Chandler Limited RS124 Compressor

The Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI/Abbey Road RS124, reimagined for use in the modern studio environment.
Released in 2016

WesAudio TIMBRE Vari-Mu Compressor

WesAudio TIMBRE – an all tube vari-mu compressor based on the 6386 tube, inspired by the old, famous and much desired Gates STA-Level compressor.
Released in 2016

Buzz Audio DBC-M Mastering Compressor

The Buzz Audio DBC-M is a stereo Class A diode bridge compressor designed for mastering, combining vintage tonal character with precise modern control. Featuring stepped Elma controls, mid/side processing, and built-in parallel compression, it delivers rich, punchy dynamics with the accuracy needed for high-end mastering work.
Released in 2016

Undertone Audio UnFairchild 670M II Compressor

The Undertone Audio UnFairchild 670M II Compressor combines vintage warmth with modern precision. Rooted in the classic Fairchild 670, it offers rich harmonic saturation and exceptional dynamic control, making it a versatile tool for audio professionals.
Released in 2016

AudioScape Buss Compressor

The AudioScape Buss Compressor is a meticulously crafted, sonically authentic recreation of the iconic British console centre-section Quad Compressor, capturing its legendary sound. Handbuilt in the USA with uncompromising precision!
Released in 2016

ART Pro VLA II Compressor

The ART Pro VLA II is a tube driven Vactrol®-based Compressor / Leveling amplifier designed to excel in any professional audio environment.
Released in 2016

Tegeler Creme Bus Compressor & Mastering Equaliser

The Tegeler Creme combines a passive EQ based on the Pultec principle and a high-end bus compressor in a single device.
Released in 2016

Klark Teknik 76-KT Limiting Amplifier

The Klark Teknik 76-KT Limiting Amplifier is a classic FET-Style Compressor with Class-A Line Level Amplifier and Midas Transformers.
Released in 2017

Gyraf Audio G24 Cadmium Compressor

The Gyraf Audio G24 is an entirely new type of stereo compressor – aimed at mix and mastering functions. Similar to its sister and predecessor, the G23 EQ, it’s for those situations where you have a mix that is already nearly perfect balanced, but you want to control some part of its dynamic without messing up the overall definition.
Released in 2017

AudioScape Opto Compressor

The AudioScape Opto Compressor is a modern recreation of a 1960s optical compressor, featuring NOS tubes, custom-wound transformers, and in-house-built T4B opto-attenuators for authentic tone. Enhanced with a front-panel R37 trim pot for greater compression versatility, it combines vintage accuracy with modern usability.
Released in 2018

Retro REVOLVER Dual Channel Tube Compressor

The Retro REVOLVER Dual Channel Tube Compressor – A Revolution in a Rack.