Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2015
The Neve 33609/N is a desert island stereo compressor offering comprehensive limiting and compression facilities, ideal for music recording, mastering, post-production and broadcast applications.
Released in 2016
The Locomotive Audio WT-COMP Compressor will put a stamp on any material run through its circuitry. The smooth and euphonic sound of soft-knee vari-mu compression paired with thick, distinct and colourful harmonic saturation makes the Weight Tank Compressor very unique.
Released in 2016
The Stam SA4000 Mk3 is the legendary stereo bus compressor replica that will give your mixes the ultimate glue and character from two different vintage consoles in one unit.
Released in 2016
The Electronaut M97 is a modern take on an idea that has been evolving for 70 years — a triode amplifier with a variable amplification factor (expressed mathematically as ‘µ’ or ‘mu’), configured to provide dynamic range compression and limiting for high-quality audio.
Released in 2016
The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu® with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path.
Released in 2016
The Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI/Abbey Road RS124, reimagined for use in the modern studio environment.
Released in 2016
WesAudio TIMBRE – an all tube vari-mu compressor based on the 6386 tube, inspired by the old, famous and much desired Gates STA-Level compressor.
Released in 2016
The Undertone Audio UnFairchild 670M II Compressor combines vintage warmth with modern precision. Rooted in the classic Fairchild 670, it offers rich harmonic saturation and exceptional dynamic control, making it a versatile tool for audio professionals.
Released in 2016
The AudioScape Buss Compressor is a meticulously crafted, sonically authentic recreation of the iconic British console centre-section Quad Compressor, capturing its legendary sound. Handbuilt in the USA with uncompromising precision!
Released in 2016
The ART Pro VLA II is a tube driven Vactrol®-based Compressor / Leveling amplifier designed to excel in any professional audio environment.
Released in 2016
The Tegeler Creme combines a passive EQ based on the Pultec principle and a high-end bus compressor in a single device.
Released in 2016
The Klark Teknik 76-KT Limiting Amplifier is a classic FET-Style Compressor with Class-A Line Level Amplifier and Midas Transformers.

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