Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2014

IGS V8 Compressor

The IGS V8 Compressor is a fully discrete path with transformers and transistors only offering smooth and gentle compression.
Released in 2014

Drawmer 1973 3-Band FET Stereo Compressor

The award winning Drawmer 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price.
Released in 2014

WesAudio Beta76 FET Compressor/Limiter

The element responsible for the gain reduction in the WesAudio Beta76 FET Compressor/Limiter is an FET transistor, giving the effect of rapid and pure compression.
Released in 2014

TUBE-TECH SMC 2B Multiband Compressor

The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. It offers wide 3-band level control combined with individual compression for each band, delivering exceptional results on the main mix bus, drum buses, instrument groups, and individual tracks.
Released in 2014

ART SCL2 Stereo Compressor Limiter

The SCL2 is a highly sophisticated and flexible dynamics processor designed for easy operation and great tone.
Released in 2014

IGS Volfram Limiter

The IGS Zolfram Limiter is a dual mono version of the legendary 1176 limiter, used on thousands of recordings around the world.
Released in 2015

Locomotive Audio 14B Variable MU Compressor

Just like its popular vintage inspirations, the Gates Sta-Level, UA 175B, RCA BA-6A and Collins 26U, the results are a sound that cannot be replicated with any other method of gain reduction. The Locomotive Audio 14B delivers!
Released in 2015

IGS Double Triode Limiter

The IGS Double Triode Limiter is more than classic tube triode microphone preamp. The old-fashioned design was upgraded with a musical opto-limiter. The limiter is based on circuit used in 60’s and 70’s.
Released in 2015

Overstayer Stereo Voltage Control Model 3722 Compressor Limiter

The Overstayer Stereo Voltage Control Model 3722 is a fluid integrated mixing signal chain in a single rack space.
Released in 2015

Overstayer Stereo Field Effect Model 3706 Compressor Limiter

The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analogue recording chains.
Released in 2015

Retro 176 Limiting Amplifier

The Retro 176 Limiting Amplifier is based on a Bill Putnam classic, the UA 176.
Released in 2015

Manley ELOP+ Stereo Optical Vacuum Tube Limiter Compressor

Since the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero – effortlessly controlling dynamics on countless records around the globe and delivering the coveted classic, all-tube sound for which Manley Labs is known.