Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Released in 2014
The element responsible for the gain reduction in the WesAudio Beta76 FET Compressor/Limiter is an FET transistor, giving the effect of rapid and pure compression.
Released in 2014
The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. It offers wide 3-band level control combined with individual compression for each band, delivering exceptional results on the main mix bus, drum buses, instrument groups, and individual tracks.
Released in 2014
The SCL2 is a highly sophisticated and flexible dynamics processor designed for easy operation and great tone.
Released in 2014
The IGS Zolfram Limiter is a dual mono version of the legendary 1176 limiter, used on thousands of recordings around the world.
Released in 2015
Just like its popular vintage inspirations, the Gates Sta-Level, UA 175B, RCA BA-6A and Collins 26U, the results are a sound that cannot be replicated with any other method of gain reduction. The Locomotive Audio 14B delivers!
Released in 2015
The IGS Double Triode Limiter is more than classic tube triode microphone preamp. The old-fashioned design was upgraded with a musical opto-limiter. The limiter is based on circuit used in 60’s and 70’s.
Released in 2015
The Overstayer Stereo Voltage Control Model 3722 is a fluid integrated mixing signal chain in a single rack space.
Released in 2015
The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analogue recording chains.
Released in 2015
The Retro 176 Limiting Amplifier is based on a Bill Putnam classic, the UA 176.
Released in 2015
Since the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero – effortlessly controlling dynamics on countless records around the globe and delivering the coveted classic, all-tube sound for which Manley Labs is known.
Released in 2015
As a mastering compressor, the SPL IRON is inspired by the legendary vintage tube compressors à la Fairchild, Collins or Gates and has been developed in a way to give modern productions more energy and power with the advantages of the 120V technology.
Released in 2015
The award-winning Drawmer 1978 boasts an unparalleled array of controls, offering complete mastery over your mix, all within a deceptively simple 1U frame.

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