Boss

Boss Corporation, a division of Roland, first gained fame as a premier manufacturer of guitar effects pedals, creating iconic units that shaped the sound of countless guitarists worldwide. However, over time, Boss expanded into the world of studio effects, crafting gear that brought their innovative effects expertise into recording environments. Known for their compact, half-rack-sized units, Boss introduced the Micro Studio Series, a collection of affordable, space-saving effects ideal for home and project studios. Among Boss’s full-rack studio offerings, two products stand out: the Boss CE-300 Super Chorus and the DE-200 Digital Delay. The CE-300, a lush analogue chorus unit, offered a more affordable alternative to Roland’s Dimension D, a revered but pricey choice for spacious, rich choruses. The DE-200, similarly, provided users with a quality digital delay option at a fraction of the cost of Roland’s high-end delay processors. While the DE-200 remains respected, it’s the CE-300 Super Chorus that has gained notable cult status, prized today for its warm, shimmering sound that captures the essence of Boss’s early approach to studio gear.

Released in 1983
The Boss DE-200 offered users a very affordable entry into digital delays, even more affordable than the Roland product of that time which was already well priced. The Boss DE-200 and its siblings were an exercise in simplicity, with a front panel that was as clean as it was practical, making it very easy for newcomers to get around.
Released in 1984
In the early 1980s, the Chorus effect first introduced by Roland on their JC Series guitar amplifiers, was the effect to have, and the Boss CE-300 was affordable. The Boss CE-300 offers two independent chorus circuits to produce full pitch-deviation effects for a wider, fuller sounding effect in the stereo mode, as well as specific deep chorus effects.
Released in 1985
The Boss RDD-10 Digital Delay released in 1985, delivered studio quality digital delay for the ultimate refinement of basic performance.
Released in 1985
The Boss RSD-10 Digital Sampler Delay, released in 1985 offers a two octave plus range and controllable dynamics.
Released in 1985
The Boss RBF-10 Flanger from 1985 provided superior signal to noise ratio achieved with Built-In Noise Reduction.
Released in 1985
The Boss RPH-10 Phaser from 1985 provides 3 different Phasing Modes that let this Phaser create a multitude of effects.
Released in 1985
The Boss RCL-10 Compressor Limiter from 1985 provides four different high-performance functions integrated into a single unit.
Released in 1985
The Boss RGE-10 Graphic Equaliser from 1985 provides fine tonal compensation with 10-Band Graphic Equaliser.
Released in 1986
The Boss RPS-10 Digital Pitch Shifter Delay from 1986 is ideal for Ultra-High Speed Pitch Shifting and Superior Sound Quality.
Released in 1986
The Boss RPQ-10 Preamp Parametric EQ released in 1986, is A 2-band Parametric Equaliser that’s a key performer when creating sounds.
Released in 1986
The Boss ROD-10 featuring three different overdrive effects and a distortion fuzz and it can create wide variety of distortions.
Released in 1987
The Boss RRV-10 Digital Reverb, released in 1987 put digital reverb within reach of every musician.
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