Reel to Reel Recorders

The reel to reel recording format, encompassing both stereo and multitrack configurations, represents a pivotal era in audio recording technology. Originating in the early 20th century, reel to reel tape recorders allowed users to capture and playback audio on magnetic tape. In the stereo configuration, two tracks on the tape enabled the recording and playback of left and right audio channels, facilitating the production of high-fidelity stereo recordings. This format gained popularity in the mid-20th century for its superior sound quality and versatility, finding widespread use in professional studios and among audiophiles. Multitrack reel-to-reel recording further revolutionised the industry by enabling the simultaneous recording of multiple audio tracks on a single tape, allowing for complex layering and editing of sound. This innovation transformed music production, giving rise to the concept of multitrack recording and enabling artists to create intricate arrangements and sonic landscapes. Despite the advent of digital recording technologies, reel to reel formats remain revered for their warmth, character, and historical significance in the evolution of audio recording.

Released in 1989

Sony PCM-3348 DASH Multitrack Digital Recorder

Sony PCM-3348 DASH Multitrack Digital Recorder was the State-of-the-Art Digital 48 Channel Recorder offering Professional Quality, Performance and Reliability.
Released in 1989

Studer D820X Digital Tape Recorder

The Studer D820X – developed for stand-alone use also fits effortlessly into any system through its extensive interfaces and offers advanced facilities for digital mastering.
Released in 1992

Studer D827 MCH 24/48 Track DASH Tape Recorder

The Studer D827 MCH is a high-end digital multitrack recorder built on Studer’s renowned tape deck technology. It features a modular design, allowing in-field upgrades from 24 to 48 tracks. Standard features include a TC/RT chase synchroniser, MADI and AES/EBU interfaces, and extensive remote-control options. Advanced A/D and D/A converters ensure superior sound quality, with optional noise shaping DSP technology preserving 18-bit performance on 16-bit DASH media.
Released in 1997

Sony PCM-3348HR DASH Multitrack Digital Recorder

The Sony PCM-3348HR is a 48-channel digital multi-track audio recorder supporting 16-bit and 24-bit resolution, using 1/2-inch tape in DASH and DASH PLUS formats. Introduced in the 1990s, it became a professional studio staple for its high audio fidelity and ability to handle complex projects, from album production to film scoring. Its 48-channel capacity made it ideal for large-scale recordings, cementing its place during the shift from analogue to digital recording.
Released in 1997

Otari MX-5050BIII 2ch Analog Audio Tape Recorder

The Otari MX-5050BIII has long been the standard in 1/4″ two-track analogue recorders. It features an optimised three-head design and transformerless balanced inputs and outputs to provide superior frequency response, low distortion and high signal-to-noise performance under the most demanding conditions.
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