Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Released in 2002
The new Genex GX9000 combines 8 channels of single wire 24-bit / 192kHz PCM recording and playback with 8 channels of DSD recording and playback. Industry-standard file formats ensure instant interchange with popular workstations.
Released in 2002
The Genex GX9048 combines 48 channels of 24-bit/192kHz PCM recording and playback with 48 channels of DSD recording and playback to deliver unrivalled levels of performance and flexibility. Seamless punch in and out in DSD mode elevates Direct Stream Digital far beyond its traditional archiving and mastering applications, enabling all the post-production flexibility you’re used to with existing PCM formats.
Released in 2002
The HHB CDR830 BurnIT CD Recorder offers high-quality 24-bit audio recording with advanced features like CD Text, SCMS-free digital input, built-in sample rate conversion, and flexible CD-RW erase modes, all designed for accurate and versatile studio use.
Released in 2002
The HHB CDR830 BurnIT PLUS enhances the original model with additional features like Word Clock input for digital synchronisation, balanced XLR I/O, and versatile recording and editing options, making it ideal for professional audio applications.
Released in 2004
The Tascam DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post-production and the highest end of commercial recording facilities. Since its introduction in 1993, TASCAM’s DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry.
Released in 2005
The next generation of standalone multitrack recorders arrived with the Fostex DV824, and it provided supreme quality 8-track recording to standard-size DVD-RAM discs in a unique package representing the very forefront of multitrack recorder design.
Released in 2005
The TASCAM DV-RA1000 recorder is a professional solution for recording high-resolution audio – up to 192kHz/24-bit – to inexpensive DVD media.
Released in 2006
The Fostex CR500 not only allows for professional mastering of stereo recordings onto CD-R/RW, but it also provides the unique capability of directly recording Broadcast WAV files onto a UDF formatted disc.
Released in 2006
The Tascam DV-RA1000HD shatters the price barrier to recording mixes and TEC award winning DV-RA1000HD masters to Direct Stream Digital, Sony’s 2.822MHz/1-bit “Super Audio” format that must be heard to be believed. The stereo recorder captures audio from 44.1kHz to 192kHz as WAV files. In addition, the breakthrough DSD recording format adds incredible detail with all of the depth and imaging of quality analog recording.
Released in 2007
Tascam X-48 was the world’s first standalone 48 track Hybrid Hard Disk Workstation. It integrated the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI, editing features and plug-in compatibility of a computer-based digital audio workstation.
Released in 2008
The Fostex UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
Released in 2008
The Korg MR-2000S is an ultra-high-quality recorder capable of recording and playing back in DVD audio format (24bit/192 kHz), SACD (Super Audio CD) quality (1-bit/2.8 MHz), and an even higher-quality 1-bit/5.6 MHz format. Additionally, it can also play back MP3 files, which are commonly used in computers and many portable digital audio devices.

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