Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Released in 2002

Fostex D2424LV 24 Track Digital Recorder

A computer-based digital multitrack set-up might be fine for studio use, where you can work around limited inputs and complex operational issues, but when it comes to live recording, they simply don’t cut it. Enter the Fostex D2424LV!
Released in 2002

Alesis ADAT HD24XR 24 Track Recorder

The Alesis ADAT HD24XR was the world’s first 96kHz, 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT’s legendary performance and affordability.
Released in 2002

Mackie SDR24/96 Multitrack Digital Recorder

The Mackie SDR24/96 is the ideal solution for live, home or project studio recording. Because the Mackie SDR24/96 is portable (3ru) and lightweight, it is the perfect recorder to travel with bands or sound engineers from gig to gig.
Released in 2002

Genex GX9000 8-Channel Digital Recorder

The new Genex GX9000 combines 8 channels of single wire 24-bit / 192kHz PCM recording and playback with 8 channels of DSD recording and playback. Industry-standard file formats ensure instant interchange with popular workstations.
Released in 2002

Genex GX9048 48-Channel Digital Recorder

The Genex GX9048 combines 48 channels of 24-bit/192kHz PCM recording and playback with 48 channels of DSD recording and playback to deliver unrivalled levels of performance and flexibility. Seamless punch in and out in DSD mode elevates Direct Stream Digital far beyond its traditional archiving and mastering applications, enabling all the post-production flexibility you’re used to with existing PCM formats.
Released in 2002

HHB CDR830 BurnIT CD Recorder

The HHB CDR830 BurnIT CD Recorder offers high-quality 24-bit audio recording with advanced features like CD Text, SCMS-free digital input, built-in sample rate conversion, and flexible CD-RW erase modes, all designed for accurate and versatile studio use.
Released in 2002

HHB CDR830 BurnIT PLUS CD Recorder

The HHB CDR830 BurnIT PLUS enhances the original model with additional features like Word Clock input for digital synchronisation, balanced XLR I/O, and versatile recording and editing options, making it ideal for professional audio applications.
Released in 2004

Tascam DA-98HR Digital Recorder

The Tascam DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post-production and the highest end of commercial recording facilities. Since its introduction in 1993, TASCAM’s DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry.
Released in 2005

Fostex DV824 DVD Multitrack Recorder

The next generation of standalone multitrack recorders arrived with the Fostex DV824, and it provided supreme quality 8-track recording to standard-size DVD-RAM discs in a unique package representing the very forefront of multitrack recorder design.
Released in 2005

Tascam DV-RA1000 High Definition Audio Master Recorder

The TASCAM DV-RA1000 recorder is a professional solution for recording high-resolution audio – up to 192kHz/24-bit – to inexpensive DVD media.
Released in 2006

Fostex CR500 Master Recorder

The Fostex CR500 not only allows for professional mastering of stereo recordings onto CD-R/RW, but it also provides the unique capability of directly recording Broadcast WAV files onto a UDF formatted disc.
Released in 2006

Tascam DV-RA1000HD Audio Master Recorder

The Tascam DV-RA1000HD shatters the price barrier to recording mixes and TEC award winning DV-RA1000HD masters to Direct Stream Digital, Sony’s 2.822MHz/1-bit “Super Audio” format that must be heard to be believed. The stereo recorder captures audio from 44.1kHz to 192kHz as WAV files. In addition, the breakthrough DSD recording format adds incredible detail with all of the depth and imaging of quality analog recording.