Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Released in 1996

Sony PCM-7030 Digital Audio Tape Recorder

As flexible, cost-effective recorders for professional audio applications, the Sony PCM-7030 provide the superb quality of DAT digital recording on compact and easy to handle cassettes.
Released in 1996

Sony PCM-7040 Digital Audio Tape Recorder

The Sony PCM-7040 was set to enhance the long-standing reputation earned by Sony PCM-7000 Series recorders for their cost effectiveness and functionality in broadcast studios and in post-production houses.
Released in 1996

Sony PCM-7050 Digital Audio Tape Recorder

As flexible, cost-effective recorders for professional audio applications, the Sony PCM-7050 provide the superb quality of DAT digital recording on compact and easy to handle cassettes.
Released in 1996

Studer D424 MO Digital Recorder

The Studer D424 is a Magneto-Optical, 2 channel digital recorder with amazingly easy editing functions, suitable for all broadcasting, recording studio and theatre applications.
Released in 1996

Studer D741 Professional CD Recorder

Studer dedicated over twelve years to CD research and development and the Studer D741 CD Recorder, enhances and finalises their range alongside existing models like the D730, D731, D731 QC, and D732 CD Players. CD technology held a firm footing in broadcast and studio domains, with none rivalling its widespread use across both consumer and professional spheres.
Released in 1996

Panasonic SV-3800 Digital Audio Tape Recorder

Based on the popular SV-3700, the Panasonic SV-3800 incorporates technological refinements for enhanced sound quality and functionality.
Released in 1996

TASCAM 102 MkII Cassette Recorder

The TASCAM 102 MKII is a three-unit rack-mount stereo cassette deck featuring automated tape-type selection, dual Dolby noise reduction, Dolby HX PRO and a precision two-head transport for studio-quality mixdowns.
Released in 1997

Alesis ADAT XT Digital Recorder

The Alesis ADAT XT keeps the ease of use and great sound that made the ADAT the most popular digital multitrack of our time, and adds a few new tricks of its own.
Released in 1997

Sony PCM-R500 Digital Audio Tape Recorder

Incorporating Sony’s legendary high-reliability 4 D.D. Mechanism, the Sony PCM-R500 sets the standard for professional-use DAT. The Shuttle and Jog Dial offer outstanding operational ease, while extensive interface options and multiple menu modes meet a wide range of application needs.
Released in 1997

Sony PCM-3348HR DASH Multitrack Digital Recorder

The Sony PCM-3348HR is a 48-channel digital multi-track audio recorder supporting 16-bit and 24-bit resolution, using 1/2-inch tape in DASH and DASH PLUS formats. Introduced in the 1990s, it became a professional studio staple for its high audio fidelity and ability to handle complex projects, from album production to film scoring. Its 48-channel capacity made it ideal for large-scale recordings, cementing its place during the shift from analogue to digital recording.
Released in 1997

Otari MX-5050BIII 2ch Analog Audio Tape Recorder

The Otari MX-5050BIII has long been the standard in 1/4″ two-track analogue recorders. It features an optimised three-head design and transformerless balanced inputs and outputs to provide superior frequency response, low distortion and high signal-to-noise performance under the most demanding conditions.
Released in 1997

TASCAM DA-60 MkII Digital Audio Tape Recorder

The TASCAM DA-60MKII is a synchronisable 4-head DAT powerhouse that’s perfect for both production and postproduction environments. It delivers superior sound quality, full-featured functionality and durability that studio pros expect from TASCAM.