Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Released in 1997
The Sony PCM-3348HR is a 48-channel 16/24-bit digital multi-track audio recorder, using 1/2-inch tape in DASH (Digital Audio Stationary Head) and DASH PLUS formats.
Released in 1997
The Otari MX-5050BIII has long been the standard in 1/4″ two-track analogue recorders. It features an optimised three-head design and transformerless balanced inputs and outputs to provide superior frequency response, low distortion and high signal-to-noise performance under the most demanding conditions.
Released in 1997
The Tascam DA-60MKII is a synchronisable 4-head DAT powerhouse that’s perfect for both production and postproduction environments. It delivers superior sound quality, full-featured functionality and durability that studio pros expect from TASCAM.
Released in 1997
The Tascam DA-98 takes all the advantages offered by the DTRS format and significantly ups the ante for the professional and post-production professional alike. With enhanced A/D and D/A convertors, a comprehensive LCD display and full compatibility with the DA-88 and DA-38, the Tascam DA-98 delivers the absolute best in digital multitrack functionality.
Released in 1997
The Fostex RD-8 is a digital linear multitrack recorder designed specifically for the audio professional and is compatible with the ADAT format recorders from Alesis.
Released in 1997
The Fostex CX-8 operates up to four times faster than the original ADAT, offers an intelligent software-controlled tape transport, a solid, die cast aluminium chassis, and provides built-in digital copying and flexible autolocation, while sounding better than ever. All this at a very affordable price – a new standard in modular digital multitrack recording.
Released in 1997
The Fostex D-15 started out as the replacement model for the former D-10, but as you can see from the extensive list of new features and functionality, the D-15 represents a new level of price/performance value in a timecode capable DAT recorder.
Released in 1997
The Otari PD-20 is a high-quality, versatile 2-channel recorder and editor with extensive synchronisation, editing, and playback features, designed to replace traditional tape-based recorders in modern studios and broadcast environments.
Released in 1997
Upgrade your studio setup with the Fostex D-90 Digital 8 Track Recorder. Capture every detail of your music with precision and clarity. Explore its intuitive interface and unleash your creativity. Elevate your recording experience today!
Released in 1998
For musicians, home studio owners, or users of other ADAT models wishing to supplement an existing system, the Alesis ADAT LX20 provides an economical solution for capturing the power of the award-winning ADAT recording format.
Released in 1998
The Alesis M20 Professional 20 Bit Digital Audio Recorder is a new, professional-quality modular digital multitrack tape recorder that was specifically created for commercial audio recording facilities as well as high-end video and film post-production studios.
Released in 1998
The Tascam DA-302 was upon its release, the world’s only dual DAT recorder, and it brought the convenience of a dual cassette deck to the DAT format for the very first time.

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