Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Released in 1992
Otari didn’t just re-package an existing consumer recorder when it came time to build the Otari DTR-90 professional DAT machine. Instead, they applied the same formula as they have to all our professional audio products: They asked audio professionals what features they wanted. The result is a truly professional R-DAT that is destined to become the standard of the industry.
Released in 1993
With the Akai DR4d Version 4, Akai has taken affordable digital recording to the next level. Building on the power and flexibility of the original DR4, the DR4d Version 4 further expands your creative horizons with our new VirtualTracks and Stereo Ping Pong capabilities.
Released in 1993
The year of 1993 saw the arrival of the first challenger to the groundbreaking Alesis ADAT, and what a challenger it was too, with smaller tape size, and importantly better sound quality! It went on to become the biggest selling product in Tascam’s history, selling more than 60,000 units!
Released in 1993
The EMT 982 CD Player is a professional-grade device designed for high performance and reliability. It offers front-loading, built-in loudspeaker and headphone outputs, separate controls for track and cue settings, auto cue functionality, varispeed with digital display, and memory for up to 100 CD cue settings. Its compact 2U design and advanced features make it ideal for professional use.
Released in 1994
The Fostex D-30 Digital Master Recorder was the pinnacle of DAT recorders for mastering duties, offering every conceivable feature you could think of.
Released in 1994
The Akai DR8 is an 8-track digital hard disk recorder and editor, with a built-in digital mixer. Features CD quality audio, non-destructive editing, etc, but unlike computer-based systems, the Akai DR8 is as easy to use as an ordinary multi-track tape recorder.
Released in 1994
The Tascam DA-30 MkII is a professional-grade DAT recorder that is designed for high-quality audio recording and playback. It offers a range of advanced features that make it suitable for use in professional recording studios, post-production facilities, and broadcasting environments.
Released in 1994
The Panasonic SV-3700 is the Digital Audio Tape deck designed specifically for professional applications.
Released in 1994
Based on the popular Panasonic SV-3700, the Panasonic SV-4100 offers flexible search and locate, as well as 5-mode external sync functions.
Released in 1994
In the realm of embracing budget-friendly digital 8-track recording, Sony took a collaborative approach instead of crafting their own system. Opting to partner with Tascam, the result is the Sony PCM-800, essentially a Tascam DA-88 with a touch of rebranding.
Released in 1995
The Fostex D-25 Master Recorder is a professional-grade digital audio recorder designed for high-quality recording and mastering applications. It offers a range of advanced features that make it suitable for use in broadcast, post-production, and mastering environments.
Released in 1995
The Akai DR16 is a digital hard disk recorder with sophisticated non-destructive editing functions allowing near-instant data access, and a 16-channel programmable mixer. It’s as easy to use as a conventional analogue MTR machine but gives true 16-track performance from a single hard disk at a highly cost-effective price level per track.

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