Classic Recording Studio Gear

Vintage Digital

Effects Timeline

Our Vintage Digital and Analogue Effects timeline now includes Audio Recorders and Classic Music Tracks to help place these effects and devices within the history of recorded music. Any errors, please notify us using our contact form.

2003

Yamaha SPX2000 Professional Multi-Effect Processor

The Yamaha SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing.
2003

Eventide Reverb 2016 Digital Reverb

The Eventide Reverb 2016 released in 2003, recreates the legendary reverb algorithms of the original Eventide SP2016, albeit with 24-bit clarity.  Every aspect of the original Eventide 2016's effects has been duplicated in this newer Eventide 2016, including every detail of the user parameters.
2003

TC Electronic Reverb 4000 Digital Reverb

TC Electronic Reverb 4000 is a single-engine stereo version of Reverb 6000, featuring the best reverbs and presets from Reverb 6000 and M5000 as well as emulations of numerous classics. True Stereo Reverbs – Ported from Reverb 6000. Realistic Environments – from a Closet to a Canyon. DAW Integration – via innovative ICON Software
2003

TL Audio 5052 Tube Processor

The TL Audio 5052 provides everything you would expect from a high quality ‘channel strip' product, and then doubles it - making it the ideal system front end and the perfect stereo mixdown and mastering device.
2003

GML Model 2030 Mastering Dynamic Range Controller

The GML Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.
2004

Alesis DEQ830 8 Channel Digital Graphic EQ

The Alesis DEQ830 8 Channel Digital Graphic EQ offered 8 channels of digital graphic equalisation in a single rack space.
2004

Alesis DEQ230 2 Channel Digital Graphic EQ

The Alesis DEQ230 2 Channel Digital Graphic EQ offers 30 bands of extremely graphic equalisation control in a single rack space.
2004

Alesis CLX-440 Compressor Limiter Expander Gate

The Alesis CLX-440 is a powerhouse dynamics processor featuring a Compressor, Limiter, Expander and Gate in a two unit rack mount.
2004

Apogee Rosetta 200 Digital Converter

The Apogee Rosetta 200 is a 2-channel, 24 bit, 192 kHz, AD/DA Converter of very high quality.
2004

dbx 162SL Compressor/Limiter

The striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, mark the dbx 162SL as a leader for decades to come. Or so it seemed...
2004

dbx 286A Microphone Preamplifier

The dbx 286A’s Mic Preamp and five processors can be used independently or in any combination.
2004

Crane Song Flamingo Microphone Preamplifier

The Crane Song Flamingo is a high quality two channel discrete class A microphone pre-amp. It can be operated as a musically transparent pre-amplifier but is capable of emulating vintage sounds as well as creating distinctive new ones.
2004

Tascam DA-98HR Digital Recorder

The Tascam DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post-production and the highest end of commercial recording facilities. Since its introduction in 1993, TASCAM's DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry.
2004

Prism Sound ADA-8XR Modular AD/DA Converter

The Prism Sound ADA-8XR stands as the ultimate in audio performance, having carved out its place in renowned recording spaces like Metropolis and British Grove. It's been a key player in major undertakings such as Star Wars and Lord of the Rings. With a remarkable two-decade presence in the industry, this converter, crafted and engineered in the UK, truly reflects Prism Sound's unwavering commitment to exceptional audio quality.
2004

GML Model 2032 Mic Pre/Equaliser Channel Strip

Combining the features of the GML flagship Model 8200 Parametric Equaliser and GML Model 8300 Transformerless Microphone Preamplifier, the GML Model 2032 embodies the legendary detail and accuracy for which GML is renowned.
2004

TL Audio 5060 Tube Compressor

The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs.
2005

Electro-Harmonix NY-2A Stereo Compressor

The Electro-Harmonix NY-2A is a professional compressor that was designed to meet the demanding requirements necessary to attain the highest level of audio quality for recording and professional mastering.
2005

SSL Buss Compressor

This is the 1U rack mounting version of the SSL G Series console master bus compressor, utilising the classic SSL G Series centre compressor design elements within a Super Analogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.
2005

Langevin All-discrete Pultec EQP-1A

The Langevin All-discrete Pultec EQP-1A works the same way as the Manley unit but instead has an ALL-DISCRETE make-up gain amplifier with both balanced and unbalanced inputs and outputs-- all completely transformerless.
2005

Universal Audio 1176LN Limiting Amplifier

Universal Audio 1176LN limiting amplifier is a legendary FET compressor with tone and attitude that is true to the original EREI model released many years before it.
2005

Mackie Quad Comp Compressor/Gate

The Mackie QUAD Comp/Gate along with its sibling the Mackie QUAD EQ where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of analogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
2005

Mackie Quad EQ Graphic Equaliser

The Mackie QUAD EQ along with it's sibling the Mackie QUAD Comp/Gate where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of anlaogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
2005

Fostex DV824 DVD Multitrack Recorder

The next generation of standalone multitrack recorders arrived with the Fostex DV824, and it provided supreme quality 8-track recording to standard-size DVD-RAM discs in a unique package representing the very forefront of multitrack recorder design.
2005

Tascam DV-RA1000 High Definition Audio Master Recorder

The TASCAM DV-RA1000 recorder is a professional solution for recording high-resolution audio - up to 192kHz/24-bit - to inexpensive DVD media.
2005

Lexicon MX200 Stereo Reverb/Effects Processor

Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the Lexicon MX200.
2005

Empirical Labs Lil FreQ

The Empirical Labs Lil FreQ like most Empirical Labs products offers something unique among its peers, in this case 8 processor sections. As with ELI’s other signal processors, the Empirical Labs Big FreQ Equaliser takes a somewhat unique approach to its job.
2005

GML Model 9500 Mastering Parametric Equaliser

The GML Model 9500 Mastering Parametric Equaliser is the Mastering Version of the GML Model 8200 Parametric Equaliser.
2005

Boss GT-Pro Guitar Effects Processor

Experience the power of BOSS’s most advanced rack processor yet. Equipped with a dual COSM effects engine and a comprehensive I/O section featuring XLR outputs, three sets of send/returns, and a USB port for data exchange and audio transmission, the new Boss GT-Pro is ideal for driving powered cabinets or direct professional-grade recording. Whether you're performing live or working in the studio, the capabilities and performance of this high-quality rack will impress you.
2005

TC Electronic G-Sharp Guitar Multi-Effects Reverb

The TC Electronic G-Sharp is a dual-engine guitar processor that merges TC Electronic’s renowned effects with a user-friendly interface. If you're a guitarist, you're likely already familiar with TC’s award-winning quality, and the G-Sharp delivers the same high standard, offering a range of modulation, delay, and reverb effects.
2005

Zoom RFX-1100 Digital Reverb & Multi Effects

The Zoom RFX-1100 is a versatile digital reverb and multi-effect processor offering 33 effects, professional-quality reverb, innovative sound options, and easy-to-use controls for quick sound adjustments.
2005

Eventide H8000 Ultra-Harmonizer® Effects System

The Eventide H8000 features 1,800 post-production and music effects presets, never before has Eventide unleashed so much power for your creativity. The Eventide H8000FW offers four channels of pristine analogue I/O combined with eight channels of AES/EBU, ADAT, and S/PDIF I/O. New FireWire I/O now allows direct connection to your Mac or PC so you can directly patch 24-bit audio to and from the eight inputs and outputs.
2005

Neve 1073DPD Microphone Preamplifier

The Neve 1073DPD combines two world-famous Class A 1073® microphone preamplifiers with flexible 192kHz digital output capabilities – all in a single rack space. With legendary analogue circuitry and superior digital conversion, the 1073DPD is the obvious choice as an ideal front-end recording system for modern digital workstations.
2006

Dramastic Audio Obsidian Stereo Compressor

Inspired by some of the most popular compressors in the world, the Dramastic Audio Obsidian is a stereo feed-forward VCA style compressor designed with the recording, mixing, and mastering engineer in mind.
2006

Retro STA-LEVEL Tube Compressor

The Retro STA-LEVEL is a recreation of the legendary 1956 Gates Sta-Level tube compressor.
2006

Fostex CR500 Master Recorder

The Fostex CR500 not only allows for professional mastering of stereo recordings onto CD-R/RW, but it also provides the unique capability of directly recording Broadcast WAV files onto a UDF formatted disc.