Effects Timeline
Our Vintage Digital and Analogue Effects timeline now includes Audio Recorders and Classic Music Tracks to help place these effects and devices within the history of recorded music. Any errors, please notify us using our contact form.
1998
Released in 1998
Alesis M20 Digital Recorder
The Alesis M20 Professional 20 Bit Digital Audio Recorder is a new, professional-quality modular digital multitrack tape recorder that was specifically created for commercial audio recording facilities as well as high-end video and film post-production studios.
1998
Released in 1998
dbx DDP Digital Dynamics Processor
The dbx DDP offers you the processing power of digital, with the great sounds you know and want from the analogue world. Plus, with digital technology, we can offer you more precise control and extended parameters than you could ever have with analogue processing.
1998
Released in 1998
Studer V-Eight Digital Tape Recorder
The Studer V-Eight recorder incorporates the S-VHS recording principle and possesses all the necessary features required for professional audio applications. It is designed to meet the stringent demands of a professional studio environment, with a sturdy and distortion-free die-cast aluminium alloy chassis. Its modular design allows for sample-accurate interconnection of multiple units through a straightforward sync bus.
1998
Released in 1998
Sony DPS-V55 Multi Effects Processor
Sony made a killer effects processor with the DPS-V77, so next step was to capitalise on that with a four-channel version, right? But something went wrong...On paper at least, the Sony DPS-V55 should be a killer effects processor, but by all accounts, it does not succeed. Just as Roland did with their SRV-3030, the sound quality leaves a lot to be desired.
1998
Released in 1998
TC Electronic FireworX Studio Effects Processor
The TC Electronic FireworX is the most radical sounding Multi-Effects Processor you’ve ever heard and a real challenge to your imagination. Take whatever you need from the broad palette of internal effects, drop it into the forge at the heart of the TC Electronic FireworX, and turn your music into a fireball of sound.
1998
Released in 1998
TL Audio 5050 Tube Preamp & Compressor
The TL Audio 5050 came directly from user requests for a simple yet great sounding valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor: making it the most cost-effective way of processing your sources.
1998
Released in 1998
Fostex CR200 Professional CD Recorder
You've wanted professional CD recording for ages, you've needed it for even longer. But the ability to professionally master audio compact discs has until now been somewhat of a luxury, with only the very top studios and recording professionals having the kind of investment to purchase a CD mastering machine.
1998
Released in 1998
Apogee DA-2000 20-Bit Stereo D/A Converter
Apogee DA-2000 Studio Reference Standard Digital to Analog Converter – Switcher represents a milestone in digital conversion technology. Contained within the design are technologies that Apogee pioneered, such as low jitter clocking and critically matched filter designs.
1998
Released in 1998
Lexicon MPX G2 Guitar Effects Processor
The Lexicon MPX-G2 is a premium guitar effects processor featuring iconic Lexicon reverb, over 70 effects, dual audio paths, and a programmable preamp with a built-in analogue speaker simulator. With 24-bit processing, 250 presets, flexible routing, and extensive MIDI control, it provides exceptional versatility and professional sound for both live and studio use.
1999
Released in 1999
TL Audio C-1 2-Channel Tube Compressor
The TL Audio C-1 features military-spec valves, gold-plated bases, and backlit VU meters, offering rich sound and durability. With variable controls, direct-to-tape preamps, and a VCA-free gain stage, it delivers transparency, low distortion, and a 5Hz to 70kHz range.
1999
Released in 1999
Tascam DA-45HR High Resolution Digital Recorder
The Tascam DA-45HR is a professional-grade digital audio recorder that improves upon the feature set of its predecessor, the DA-40. With the DA-45HR, Tascam has elevated the recording quality to 24-bit resolution, allowing for a greater dynamic range and a more accurate representation of the original audio source.
1999
Released in 1999
Sony DRE-S777 Sampling Digital Reverb
After the lacklustre DPS-V55, Sony had one last shot at the studio effects market, and they went out on a high with the spectacular DRE-S777 Sampling Reverb. The Sony DRE-S777 was a new type of reverb, one that used real impulse responses to capture real space, rather than the traditional method from the past of trying to emulate a real space.
1999
Released in 1999
Sony PCM-9000 Master Disc Recorder
By the late 1990s, there was a noticeable trend towards seeking superior sound quality in professional digital audio processing, resulting in a shift from using 16-bit systems to those with 20-bit resolution. Sony was at the forefront of this shift, having already introduced a CD Mastering system. Sony in 1999 unveiled the Sony PCM-9000 Digital Master Disc Recorder, which employs an MO (Magneto-Optical) disc as its recording medium.