Classic Recording Studio Gear
Vintage Digital
Effects Timeline
Our Vintage Digital and Analogue Effects timeline now includes Audio Recorders and Classic Music Tracks to help place these effects and devices within the history of recorded music. Any errors, please notify us using our contact form.
1999
Langevin Dual Vocal Combo
The Langevin Dual Vocal Combo is a 2-channel microphone preamplifier with 2 shelf equalisers plus 2 channels of electro-optical limiters.
1999
Maselec MLA-2 Compressor
The Maselec MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
1999
Roland VSR-880 Digital Studio Recorder
The Roland VSR-880 is an 8-track rackmount hard disk recorder with 24-bit sound quality, 128 Virtual Tracks, and all the powerful editing and optional effects V-Studios are known for.
1999
Apogee AD-8000 8-Channel Digital Audio Converter
The Apogee AD-8000 is an eight-channel 24-bit A/D converter with extensive I/O and processing features and an extensive, accessible user interface.
1999
Tascam DA-45HR High Resolution Digital Recorder
The Tascam DA-45HR is a professional-grade digital audio recorder that improves upon the feature set of its predecessor, the DA-40. With the DA-45HR, Tascam has elevated the recording quality to 24-bit resolution, allowing for a greater dynamic range and a more accurate representation of the original audio source.
1999
Sony DRE-S777 Sampling Digital Reverb
After the lacklustre DPS-V55, Sony had one last shot at the studio effects market, and they went out on a high with the spectacular DRE-S777 Sampling Reverb. The Sony DRE-S777 was a new type of reverb, one that used real impulse responses to capture real space, rather than the traditional method from the past of trying to emulate a real space.
1999
Roland SRV-3030 24bit Digital Reverb
With all that Roland had learned from making superb effects processors like the SRV-330 and R-880, the SRV-3030 should have been so much better than it was.
1999
Sony PCM-9000 Master Disc Recorder
By the late 1990s, there was a noticeable trend towards seeking superior sound quality in professional digital audio processing, resulting in a shift from using 16-bit systems to those with 20-bit resolution. Sony was at the forefront of this shift, having already introduced a CD Mastering system. Sony in 1999 unveiled the Sony PCM-9000 Digital Master Disc Recorder, which employs an MO (Magneto-Optical) disc as its recording medium.
1999
TC Electronic M-One XL Dual Effects Processor
TC Electronic M-One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects. TC Electronic XL Technology – Based on Our Renowned Reverb Heritage. High-quality Multi Effects – Reverb, Delay, Chorus, Flanger, Compressor, Gate, etc.
1999
TC Electronic D-Two Multitap Rhythm Delay
Think of delays and chances are our delays are what you hear in your head. Not to toot our own horn, but our delays are the best out there – end of story. With TC Electronic D-Two we wanted to combine our awesome delays with fun – we’ve added the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly on the unit for results that are sure to quickly whip your creativity to new highs!
1999
Sony DADR-5000 Digital Audio Disk Recorder
The Sony DADR-5000 Digital Audio Disk Recorder is a 16-Track random access digital audio disk recorder designed primarily for use as a film dubber in film production facilities.
1999
Alesis AI-3 8-Channel 24-Bit Converter
The Alesis AI-3 is an affordable interface for converting analogue to digital audio using ADAT Optical. It has eight inputs and outputs, 24-bit converters, and integrates with ADAT-compatible devices. Compact and easy to use, it fits into a 19" rack and adds analogue I/O to digital mixers from various brands.
1999
GML Model 8304 Transformerless Microphone Preamp
If you want to capture sound with stunning realism, clarity, and accuracy, you need a GML Model 8304 Transformerless Microphone Preamp.
1999
GML Model 8302 Transformerless Microphone Preamp
If you want to capture sound with stunning realism, clarity, and accuracy, you need a GML Model 8302 Transformerless Microphone Preamp.
1999
Fostex CR300 CD-R & CD-RW Recorder
The Fostex CR300 is a highly engineered rack-mountable machine which offers state-of-the-art digital and analogue audio recording to both professional and consumer CD-R and CD-RW media via easy-to-use front panel controls.
2000
SPL Stereo Vitalizer Mk2-T
The patented Vitalizer circuitry makes the SPL Stereo Vitalizer Mk2-T an unsurpassed sound designer. Whether live or in the studio, audio productions sound more alive, have more details, more transparency, a higher perceived loudness and, if required, an overwhelming bass foundation.
2000
Apogee Rosetta AD Converter
The Apogee Rosetta AD Converter is a high quality 24 bit. 2 Channel Analog to Digital Converter.
2000
Avalon Design VT-747SP Compressor/Equaliser
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
2000
TL Audio EQ-2 2-Channel Tube Equalizer
No other high-end equaliser can offer the same degree of power and flexibility as the TL Audio EQ-2.
2000
Lexicon 960L Digital Effects System
Lexicon 960L, was the last of the big reverbs from Lexicon and was a configurable Stereo/Surround Reverb Processor and Flying Fader Remote. (LARC) For nearly thirty years, the world’s most accomplished engineers and producers have relied upon Lexicon for their most critical music and sound productions, and the Lexicon 960L was a powerhouse.
2000
Mackie HDR24/96 Multitrack Digital Recorder
The accuracy of 24-bit recording and the flexibility of workstation editing – without the high cost and complication, that is what the Mackie HDR24/96 Multitrack Digital Recorder offered to potential recording enthusiasts.
2000
Tascam MX-2424 Hard Disc Recorder
The Tascam MX-2424 is a professional 24 track, 24-bit hard disk recorder. The Tascam MX-2424 delivers the convenience, power and reliability of a dedicated multitrack, yet still offers the sophistication of a DAW.
2000
Klark Teknik DN3600 Programmable Equaliser
Designed to meet and exceed the needs of the recording, broadcast, installation and live sound industries, the Klark Teknik DN3600 Programmable Graphic Equaliser is an extremely high quality, digitally controlled, two-channel, third-octave equaliser that combines state-of-the-art audio performance with unprecedented ease of use.
2000
Tascam DA-78HR Digital Multitrack Recorder
The TASCAM DA-78HR is the first 24-bit DTRS format 8-track Modular Multitrack Recorder, designed primarily for professional recording studios, project studios and home recording studios where 24-bit high quality digital audio recording is essential.
2000
Yamaha CDR1000 Professional Audio CD Recorder
It’s simple. It’s fast. And it’s fully professional. It’s the Yamaha CDR1000 Professional Audio CD Recorder, a fully professional CD recorder that’s fully compatible with CD-R and CD-RW. Finally, the convenience of tape-based recording formats has come to the CD.
2000
Requisite OS1 Microphone Preamplifier MkII
The Requisite OS1 Microphone Preamplifier MkII is a high-end analogue preamp designed for professional audio recording and mixing applications.
2000
Alesis Masterlink ML-9600 High-Resolution Master Disk Recorder
The Alesis Masterlink ML-9600 High-Resolution Master Disk Recorder is a two-track hard disc recorder - literally, the state-of-the-art in do-it-yourself mixing and mastering systems.
2000
TL Audio PA-1 Tube Preamp
The TL Audio PA-1 Pentode Preamp is TL Audio's top of the range preamp - producing a stunning sound from any source - and offers a significant improvement over the vast majority of console preamps in any price range.
2000
Teenage Dirtbag
Wheatus
The timeless appeal of Teenage Dirtbag is a testament to the songwriting talents of Brendan Brown, as well as the recording process that brought it to life. Despite the song’s popularity, very little information is available about the actual recording process. However, some articles have shed light on the distinctive guitar sound that defines the track. […]
Engineered by: Wheatus
Mixed by: David Thoener
2000
Genex GX8500 Multi Format Recorder
The Genex GX8500 is an 8 channel, multi format digital audio recorder designed for multichannel mastering and location recording applications in which audio must be recorded and stored at the highest possible quality.
2000
Zoom RFX-1000 Digital Reverb & Multi Effects
The Zoom RFX-1000 offers professional reverb, versatile effects like VOCODER and LO-FI, and creative options like RESONANCE and RING MODULATOR. It includes specialised mixdown effects for polished recordings, and its MIC IN with Mic Simulator enhances vocals and mimics high-end microphones.
2000
Yamaha SREV1 Sampling Reverberator
Reminiscent of their own REV1, the SREV1 was Yamaha once again going all out to take on the big brands, namely Lexicon in the studio reverb space. The Yamaha SRev1 is perfect for recording studios, audio post, broadcast, concert halls, theaters, or anyone looking for superb quality reverb that sounds just like the real thing, with the option to sample the reverberation characteristics of any location for use back in the studio.
2000
TL Audio VP-1 Tube Processor
The TL Audio VP-1 combines all the best elements of the PA-1 pentode preamp, C-1 compressor and EQ-2 parametric equaliser to create a truly flexible and spectacular sounding valve front end for any audio system.
2001
Aphex Aural Exciter & Optical Big Bottom
Since its introduction in 1975, close to a million Aphex Aural Exciters have found their way into recording studios and broadcast facilities, nightclubs and concert halls, arenas and airports, musicians' and DJs' rigs and houses of worship.
2001
Tascam CD-RW700 CD Recorder
The Tascam CD-RW700 was Tascam's budget-minded CD recorder, but features came first when the product was designed. Like most products in this price range, the Tascam CD-RW700 offered unbalanced I/O, and S/PDIF digital I/O in coax and optical format.
